Book: Fromont and Risler, Complete

A >> Alphonse Daudet >> Fromont and Risler, Complete




He yielded at last, however, and promised to continue the fight a little
while, since it was their wish; but it required many an entreaty and
caress to carry the point.




CHAPTER IX

AT SAVIGNY

It was a great misfortune, that sojourn of the two families at Savigny
for a month.

After an interval of two years Georges and Sidonie found themselves side
by side once more on the old estate, too old not to be always like
itself, where the stones, the ponds, the trees, always the same, seemed
to cast derision upon all that changes and passes away. A renewal of
intercourse under such circumstances must have been disastrous to two
natures that were not of a very different stamp, and far more virtuous
than those two.

As for Claire, she never had been so happy; Savigny never had seemed so
lovely to her. What joy to walk with her child over the greensward where
she herself had walked as a child; to sit, a young mother, upon the
shaded seats from which her own mother had looked on at her childish
games years before; to go, leaning on Georges's arm, to seek out the
nooks where they had played together. She felt a tranquil contentment,
the overflowing happiness of placid lives which enjoy their bliss in
silence; and all day long her skirts swept along the paths, guided by the
tiny footsteps of the child, her cries and her demands upon her mother's
care.

Sidonie seldom took part in these maternal promenades. She said that the
chatter of children tired her, and therein she agreed with old Gardinois,
who seized upon any pretext to annoy his granddaughter. He believed that
he accomplished that object by devoting himself exclusively to Sidonie,
and arranging even more entertainments for her than on her former visit.
The carriages that had been shut up in the carriage-house for two years,
and were dusted once a week because the spiders spun their webs on the
silk cushions, were placed at her disposal. The horses were harnessed
three times a day, and the gate was continually turning on its hinges.
Everybody in the house followed this impulse of worldliness. The gardener
paid more attention to his flowers because Madame Risler selected the
finest ones to wear in her hair at dinner. And then there were calls to
be made. Luncheon parties were given, gatherings at which Madame Fromont
Jeune presided, but at which Sidonie, with her lively manners, shone
supreme. Indeed, Claire often left her a clear field. The child had its
hours for sleeping and riding out, with which no amusements could
interfere. The mother was compelled to remain away, and it often happened
that she was unable to go with Sidonie to meet the partners when they
came from Paris at night.

"You will make my excuses," she would say, as the went up to her room.

Madame Risler was triumphant. A picture of elegant indolence, she would
drive away behind the galloping horses, unconscious of the swiftness of
their pace, without a thought in her mind.

Other carriages were always waiting at the station. Two or three times
she heard some one near her whisper, "That is Madame Fromont Jeune," and,
indeed, it was a simple matter for people to make the mistake, seeing the
three return together from the station, Sidonie sitting beside Georges on
the back seat, laughing and talking with him, and Risler facing them,
smiling contentedly with his broad hands spread flat upon his knees, but
evidently feeling a little out of place in that fine carriage. The
thought that she was taken for Madame Fromont made her very proud, and
she became a little more accustomed to it every day. On their arrival at
the chateau, the two families separated until dinner; but, in the
presence of his wife sitting tranquilly beside the sleeping child,
Georges Fromont, too young to be absorbed by the joys of domesticity, was
continually thinking of the brilliant Sidonie, whose voice he could hear
pouring forth triumphant roulades under the trees in the garden.

While the whole chateau was thus transformed in obedience to the whims of
a young woman, old Gardinois continued to lead the narrow life of a
discontented, idle, impotent 'parvenu'. The most successful means of
distraction he had discovered was espionage. The goings and comings of
his servants, the remarks that were made about him in the kitchen, the
basket of fruit and vegetables brought every morning from the
kitchen-garden to the pantry, were objects of continual investigation.

For the purposes of this constant spying upon his household, he made use
of a stone bench set in the gravel behind an enormous Paulownia. He would
sit there whole days at a time, neither reading nor thinking, simply
watching to see who went in or out. For the night he had invented
something different. In the great vestibule at the main entrance, which
opened upon the front steps with their array of bright flowers, he had
caused an opening to be made leading to his bedroom on the floor above.
An acoustic tube of an improved type was supposed to convey to his ears
every sound on the ground floor, even to the conversation of the servants
taking the air on the steps.

Unluckily, the instrument was so powerful that it exaggerated all the
noises, confused them and prolonged them, and the powerful, regular
ticking of a great clock, the cries of a paroquet kept in one of the
lower rooms, the clucking of a hen in search of a lost kernel of corn,
were all Monsieur Gardinois could hear when he applied his ear to the
tube. As for voices, they reached him in the form of a confused buzzing,
like the muttering of a crowd, in which it was impossible to distinguish
anything. He had nothing to show for the expense of the apparatus, and he
concealed his wonderful tube in a fold of his bed-curtains.

One night Gardinois, who had fallen asleep, was awakened suddenly by the
creaking of a door. It was an extraordinary thing at that hour. The whole
house hold was asleep. Nothing could be heard save the footsteps of the
watch-dogs on the sand, or their scratching at the foot of a tree in
which an owl was screeching. An excellent opportunity to use his
listening-tube! Upon putting it to his ear, M. Gardinois was assured that
he had made no mistake. The sounds continued. One door was opened, then
another. The bolt of the front door was thrown back with an effort. But
neither Pyramus nor Thisbe, not even Kiss, the formidable Newfoundland,
had made a sign. He rose softly to see who those strange burglars could
be, who were leaving the house instead of entering it; and this is what
he saw through the slats of his blind:

A tall, slender young man, with Georges's figure and carriage, arm-in-arm
with a woman in a lace mantilla. They stopped first at the bench by the
Paulownia, which was in full bloom.

It was a superb moonlight night. The moon, silvering the treetops, made
numberless flakes of light amid the dense foliage. The terraces, white
with moonbeams, where the Newfoundlands in their curly coats went to and
fro, watching the night butterflies, the smooth, deep waters of the
ponds, all shone with a mute, calm brilliance, as if reflected in a
silver mirror. Here and there glow-worms twinkled on the edges of the
greensward.

The two promenaders remained for a moment beneath the shade of the
Paulownia, sitting silent on the bench, lost in the dense darkness which
the moon makes where its rays do not reach. Suddenly they appeared in the
bright light, wrapped in a languishing embrace; then walked slowly across
the main avenue, and disappeared among the trees.

"I was sure of it!" said old Gardinois, recognizing them. Indeed, what
need had he to recognize them? Did not the silence of the dogs, the
aspect of the sleeping house, tell him more clearly than anything else
could, what species of impudent crime, unknown and unpunished, haunted
the avenues in his park by night? Be that as it may, the old peasant was
overjoyed by his discovery. He returned to bed without a light, chuckling
to himself, and in the little cabinet filled with hunting-implements,
whence he had watched them, thinking at first that he had to do with
burglars, the moon's rays shone upon naught save the fowling-pieces
hanging on the wall and the boxes of cartridges of all sizes.

Sidonie and Georges had taken up the thread of their love at the corner
of the same avenue. The year that had passed, marked by hesitation, by
vague struggles, by fruitless resistance, seemed to have been only a
preparation for their meeting. And it must be said that, when once the
fatal step was taken, they were surprised at nothing so much as the fact
that they had postponed it so long. Georges Fromont especially was seized
by a mad passion. He was false to his wife, his best friend; he was false
to Risler, his partner, the faithful companion of his every hour.

He felt a constant renewal, a sort of overflow of remorse, wherein his
passion was intensified by the magnitude of his sin. Sidonie became his
one engrossing thought, and he discovered that until then he had not
lived. As for her, her love was made up of vanity and spite. The thing
that she relished above all else was Claire's degradation in her eyes.
Ah! if she could only have said to her, "Your husband loves me--he is
false to you with me," her pleasure would have been even greater. As for
Risler, in her view he richly deserved what had happened to him. In her
old apprentice's jargon, in which she still thought, even if she did not
speak it, the poor man was only "an old fool," whom she had taken as a
stepping-stone to fortune. "An old fool" is made to be deceived!

During the day Savigny belonged to Claire, to the child who ran about
upon the gravel, laughing at the birds and the clouds, and who grew
apace. The mother and child had for their own the daylight, the paths
filled with sunbeams. But the blue nights were given over to sin, to that
sin firmly installed in the chateau, which spoke in undertones, crept
noiselessly behind the closed blinds, and in face of which the sleeping
house became dumb and blind, and resumed its stony impassibility, as if
it were ashamed to see and hear.




CHAPTER X

SIGISMOND PLANUS TREMBLES FOR HIS CASH-BOX

"Carriage, my dear Chorche?--I--have a carriage? What for?"

"I assure you, my dear Risler, that it is quite essential for you. Our
business, our relations, are extending every day; the coupe is no longer
enough for us. Besides, it doesn't look well to see one of the partners
always in his carriage and the other on foot. Believe me, it is a
necessary outlay, and of course it will go into the general expenses of
the firm. Come, resign yourself to the inevitable."

It was genuine resignation. It seemed to Risler as if he were stealing
something in taking the money for such an unheard-of luxury as a
carriage; however, he ended by yielding to Georges's persistent
representations, thinking as he did so:

"This will make Sidonie very happy!"

The poor fellow had no suspicion that Sidonie herself, a month before,
had selected at Binder's the coupe which Georges insisted upon giving
her, and which was to be charged to expense account in order not to alarm
the husband.

Honest Risler was so plainly created to be deceived. His inborn
uprightness, the implicit confidence in men and things, which was the
foundation of his transparent nature, had been intensified of late by
preoccupation resulting from his pursuit of the Risler Press, an
invention destined to revolutionize the wall-paper industry and
representing in his eyes his contribution to the partnership assets. When
he laid aside his drawings and left his little work-room on the first
floor, his face invariably wore the absorbed look of the man who has his
life on one side, his anxieties on another. What a delight it was to him,
therefore, to find his home always tranquil, his wife always in good
humor, becomingly dressed and smiling.

Without undertaking to explain the change to himself, he recognized that
for some time past the "little one" had not been as before in her
treatment of him. She allowed him to resume his old habits: the pipe at
dessert, the little nap after dinner, the appointments at the brewery
with Chebe and Delobelle. Their apartments also were transformed,
embellished.

A grand piano by a famous maker made its appearance in the salon in place
of the old one, and Madame Dobson, the singing-teacher, came no longer
twice a week, but every day, music-roll in hand.

Of a curious type was that young woman of American extraction, with hair
of an acid blond, like lemon-pulp, over a bold forehead and metallic blue
eyes. As her husband would not allow her to go on the stage, she gave
lessons, and sang in some bourgeois salons. As a result of living in the
artificial world of compositions for voice and piano, she had contracted
a species of sentimental frenzy.

She was romance itself. In her mouth the words "love" and "passion"
seemed to have eighty syllables, she uttered them with so much
expression. Oh, expression! That was what Mistress Dobson placed before
everything, and what she tried, and tried in vain, to impart to her
pupil.

'Ay Chiquita,' upon which Paris fed for several seasons, was then at the
height of its popularity. Sidonie studied it conscientiously, and all the
morning she could be heard singing:

"On dit que tu te maries,
Tu sais que j'en puis mourir."

[They say that thou'rt to marry
Thou know'st that I may die.]

"Mouri-i-i-i-i-r!" the expressive Madame Dobson would interpose, while
her hands wandered feebly over the piano-keys; and die she would, raising
her light blue eyes to the ceiling and wildly throwing back her head.
Sidonie never could accomplish it. Her mischievous eyes, her lips,
crimson with fulness of life, were not made for such AEolian-harp
sentimentalities. The refrains of Offenbach or Herve, interspersed with
unexpected notes, in which one resorts to expressive gestures for aid, to
a motion of the head or the body, would have suited her better; but she
dared not admit it to her sentimental instructress. By the way, although
she had been made to sing a great deal at Mademoiselle Le Mire's, her
voice was still fresh and not unpleasing.

Having no social connections, she came gradually to make a friend of her
singing-mistress. She would keep her to breakfast, take her to drive in
the new coupe and to assist in her purchases of gowns and jewels. Madame
Dobson's sentimental and sympathetic tone led one to repose confidence in
her. Her continual repinings seemed too long to attract other repinings.
Sidonie told her of Georges, of their relations, attempting to palliate
her offence by blaming the cruelty of her parents in marrying her by
force to a man much older than herself. Madame Dobson at once showed a
disposition to assist them; not that the little woman was venal, but she
had a passion for passion, a taste for romantic intrigue. As she was
unhappy in her own home, married to a dentist who beat her, all husbands
were monsters in her eyes, and poor Risler especially seemed to her a
horrible tyrant whom his wife was quite justified in hating and
deceiving.

She was an active confidant and a very useful one. Two or three times a
week she would bring tickets for a box at the Opera or the Italiens, or
some one of the little theatres which enjoy a temporary vogue, and cause
all Paris to go from one end of Paris to the other for a season. In
Risler's eyes the tickets came from Madame Dobson; she had as many as she
chose to the theatres where operas were given. The poor wretch had no
suspicion that one of those boxes for an important "first night" had
often cost his partner ten or fifteen Louis.

In the evening, when his wife went away, always splendidly attired, he
would gaze admiringly at her, having no suspicion of the cost of her
costumes, certainly none of the man who paid for them, and would await
her return at his table by the fire, busy with his drawings, free from
care, and happy to be able to say to himself, "What a good time she is
having!"

On the floor below, at the Fromonts', the same comedy was being played,
but with a transposition of parts. There it was the young wife who sat by
the fire. Every evening, half an hour after Sidonie's departure, the
great gate swung open to give passage to the Fromont coupe conveying
Monsieur to his club. What would you have? Business has its demands. All
the great deals are arranged at the club, around the bouillotte table,
and a man must go there or suffer the penalty of seeing his business fall
off. Claire innocently believed it all. When her husband had gone, she
felt sad for a moment. She would have liked so much to keep him with her
or to go out leaning on his arm, to seek enjoyment with him. But the
sight of the child, cooing in front of the fire and kicking her little
pink feet while she was being undressed, speedily soothed the mother.
Then the eloquent word "business," the merchant's reason of state, was
always at hand to help her to resign herself.

Georges and Sidonie met at the theatre. Their feeling at first when they
were together was one of satisfied vanity. People stared at them a great
deal. She was really pretty now, and her irregular but attractive
features, which required the aid of all the eccentricities of the
prevailing style in order to produce their full effect, adapted
themselves to them so perfectly that you would have said they were
invented expressly for her. In a few moments they went away, and Madame
Dobson was left alone in the box. They had hired a small suite on the
Avenue Gabriel, near the 'rond-point' of the Champs Elysees--the dream of
the young women at the Le Mire establishment--two luxuriously furnished,
quiet rooms, where the silence of the wealthy quarter, disturbed only by
passing carriages, formed a blissful surrounding for their love.

Little by little, when she had become accustomed to her sin, she
conceived the most audacious whims. From her old working-days she had
retained in the depths of her memory the names of public balls, of famous
restaurants, where she was eager to go now, just as she took pleasure in
causing the doors to be thrown open for her at the establishments of the
great dressmakers, whose signs only she had known in her earlier days.
For what she sought above all else in this liaison was revenge for the
sorrows and humiliations of her youth. Nothing delighted her so much, for
example, when returning from an evening drive in the Bois, as a supper at
the Cafe Anglais with the sounds of luxurious vice around her. From these
repeated excursions she brought back peculiarities of speech and
behavior, equivocal songs, and a style of dress that imported into the
bourgeois atmosphere of the old commercial house an accurate reproduction
of the most advanced type of the Paris cocotte of that period.

At the factory they began to suspect something. The women of the people,
even the poorest, are so quick at picking a costume to pieces! When
Madame Risler went out, about three o'clock, fifty pairs of sharp,
envious eyes, lying in ambush at the windows of the polishing-shop,
watched her pass, penetrating to the lowest depths of her guilty
conscience through her black velvet dolman and her cuirass of sparkling
jet.

Although she did not suspect it, all the secrets of that mad brain were
flying about her like the ribbons that played upon her bare neck; and her
daintily-shod feet, in their bronzed boots with ten buttons, told the
story of all sorts of clandestine expeditions, of the carpeted stairways
they ascended at night on their way to supper, and the warm fur robes in
which they were wrapped when the coupe made the circuit of the lake in
the darkness dotted with lanterns.

The work-women laughed sneeringly and whispered:

"Just look at that Tata Bebelle! A fine way to dress to go out. She don't
rig herself up like that to go to mass, that's sure! To think that it
ain't three years since she used to start for the shop every morning in
an old waterproof, and two sous' worth of roasted chestnuts in her
pockets to keep her fingers warm. Now she rides in her carriage."

And amid the talc dust and the roaring of the stoves, red-hot in winter
and summer alike, more than one poor girl reflected on the caprice of
chance in absolutely transforming a woman's existence, and began to dream
vaguely of a magnificent future which might perhaps be in store for
herself without her suspecting it.

In everybody's opinion Risler was a dishonored husband. Two assistants in
the printing-room--faithful patrons of the Folies Dramatiques--declared
that they had seen Madame Risler several times at their theatre,
accompanied by some escort who kept out of sight at the rear of the box.
Pere Achille, too, told of amazing things. That Sidonie had a lover, that
she had several lovers, in fact, no one entertained a doubt. But no one
had as yet thought of Fromont jeune.

And yet she showed no prudence whatever in her relations with him. On the
contrary, she seemed to make a parade of them; it may be that that was
what saved them. How many times she accosted him boldly on the steps to
agree upon a rendezvous for the evening! How many times she had amused
herself in making him shudder by looking into his eyes before every one!
When the first confusion had passed, Georges was grateful to her for
these exhibitions of audacity, which he attributed to the intensity of
her passion. He was mistaken.

What she would have liked, although she did not admit it to herself,
would have been to have Claire see them, to have her draw aside the
curtain at her window, to have her conceive a suspicion of what was
passing. She needed that in order to be perfectly happy: that her rival
should be unhappy. But her wish was ungratified; Claire Fromont noticed
nothing and lived, as did Risler, in imperturbable serenity.

Only Sigismond, the old cashier, was really ill at ease. And yet he was
not thinking of Sidonie when, with his pen behind his ear, he paused a
moment in his work and gazed fixedly through his grating at the drenched
soil of the little garden. He was thinking solely of his master, of
Monsieur "Chorche," who was drawing a great deal of money now for his
current expenses and sowing confusion in all his books. Every time it was
some new excuse. He would come to the little wicket with an unconcerned
air:

"Have you a little money, my good Planus? I was worsted again at
bouillotte last night, and I don't want to send to the bank for such a
trifle."

Sigismond Planus would open his cash-box, with an air of regret, to get
the sum requested, and he would remember with terror a certain day when
Monsieur Georges, then only twenty years old, had confessed to his uncle
that he owed several thousand francs in gambling debts. The elder man
thereupon conceived a violent antipathy for the club and contempt for all
its members. A rich tradesman who was a member happened to come to the
factory one day, and Sigismond said to him with brutal frankness:

"The devil take your 'Cercle du Chateau d'Eau!' Monsieur Georges has left
more than thirty thousand francs there in two months."

The other began to laugh.

"Why, you're greatly mistaken, Pere Planus--it's at least three months
since we have seen your master."

The cashier did not pursue the conversation; but a terrible thought took
up its abode in his mind, and he turned it over and over all day long.

If Georges did not go to the club, where did he pass his evenings? Where
did he spend so much money?

There was evidently a woman at the bottom of the affair.

As soon as that idea occurred to him, Sigismond Planus began to tremble
seriously for his cash-box. That old bear from the canton of Berne, a
confirmed bachelor, had a terrible dread of women in general and Parisian
women in particular. He deemed it his duty, first of all, in order to set
his conscience at rest, to warn Risler. He did it at first in rather a
vague way.

"Monsieur Georges is spending a great deal of money," he said to him one
day.

Risler exhibited no surprise.

"What do you expect me to do, my old Sigismond? It is his right."

And the honest fellow meant what he said. In his eyes Fromont jeune was
the absolute master of the establishment. It would have been a fine
thing, and no mistake, for him, an ex-draughtsman, to venture to make any
comments. The cashier dared say no more until the day when a messenger
came from a great shawl-house with a bill for six thousand francs for a
cashmere shawl.

He went to Georges in his office.

"Shall I pay it, Monsieur?"

Georges Fromont was a little annoyed. Sidonie had forgotten to tell him
of this latest purchase; she used no ceremony with him now.

"Pay it, pay it, Pere Planus," he said, with a shade of embarrassment,
and added: "Charge it to the account of Fromont jeune. It is a commission
intrusted to me by a friend."

That evening, as Sigismond was lighting his little lamp, he saw Risler
crossing the garden, and tapped on the window to call him.

"It's a woman," he said, under his breath. "I have the proof of it now."

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