Book: Flint and Feather

E >> E. Pauline Johnson >> Flint and Feather




These are the men of action, who need not the world's renown,
For their valour is known to England's throne as a gem in the British crown;
These are the men who face the front, whose courage the world may scan,
The men who are feared by the felon, but are loved by the honest man;
These are the marrow, the pith, the cream, the best that the blood contains,
Who have cast their days in the valiant ways of the Riders of the Plains;
And theirs is the kind whose muscle makes the power of old England's jaw,
And they keep the peace of her people and the honour of British law.

Then down with the cur that questions,--let him slink to his craven den,--
For he daren't deny our hot reply as to "who are our mounted men."
He shall honour them east and westward, he shall honour them south and north,
He shall bare his head to that coat of red wherever that red rides forth.
'Tis well that he knows the fibre that the great North-West contains,
The North-West pride in her men that ride on the Territorial plains,--
For of such as these are the muscles and the teeth in the Lion's jaw,
And they keep the peace of our people and the honour of British law.


[2] The above is the Territorial pet name for the North-West Mounted
Police, and is in general usage throughout Assiniboia, Saskatchewan
and Alberta. At a dinner party in Boston the writer was asked, "Who
are the North-West Mounted Police?" and when told that they were the
pride of Canada's fighting men the questioner sneered and replied,
"Ah! then they are only some of British Lion's whelps. We are not
afraid of them." His companions applauded the remark.



SILHOUETTE


The sky-line melts from russet into blue,
Unbroken the horizon, saving where
A wreath of smoke curls up the far, thin air,
And points the distant lodges of the Sioux.

Etched where the lands and cloudlands touch and die
A solitary Indian tepee stands,
The only habitation of these lands,
That roll their magnitude from sky to sky.

The tent poles lift and loom in thin relief,
The upward floating smoke ascends between,
And near the open doorway, gaunt and lean,
And shadow-like, there stands an Indian Chief.

With eyes that lost their lustre long ago,
With visage fixed and stern as fate's decree,
He looks towards the empty west, to see
The never-coming herd of buffalo.

Only the bones that bleach upon the plains,
Only the fleshless skeletons that lie
In ghastly nakedness and silence, cry
Out mutely that naught else to him remains.



A PRODIGAL


My heart forgot its God for love of you,
And you forgot me, other loves to learn;
Now through a wilderness of thorn and rue
Back to my God I turn.

And just because my God forgets the past,
And in forgetting does not ask to know
Why I once left His arms for yours, at last
Back to my God I go.



"THROUGH TIME AND BITTER DISTANCE" [3]


Unknown to you, I walk the cheerless shore.
The cutting blast, the hurl of biting brine
May freeze, and still, and bind the waves at war,
Ere you will ever know, O! Heart of mine,
That I have sought, reflected in the blue
Of these sea depths, some shadow of your eyes;
Have hoped the laughing waves would sing of you,
But this is all my starving sight descries--

I

Far out at sea a sail
Bends to the freshening breeze,
Yields to the rising gale
That sweeps the seas;

II

Yields, as a bird wind-tossed,
To saltish waves that fling
Their spray, whose rime and frost
Like crystals cling

III

To canvas, mast and spar,
Till, gleaming like a gem,
She sinks beyond the far
Horizon's hem.

IV

Lost to my longing sight,
And nothing left to me
Save an oncoming night,--
An empty sea.


[3] For this title the author is indebted to Mr. Charles G. D.
Roberts. It occurs in his sonnet, "Rain."



AT HALF-MAST


You didn't know Billy, did you? Well, Bill was one of the boys,
The greatest fellow you ever seen to racket an' raise a noise,--
An' sing! say, you never heard singing 'nless you heard Billy sing.
I used to say to him, "Billy, that voice that you've got there'd bring
A mighty sight more bank-notes to tuck away in your vest,
If only you'd go on the concert stage instead of a-ranchin' West."
An' Billy he'd jist go laughin', and say as I didn't know
A robin's whistle in springtime from a barnyard rooster's crow.
But Billy could sing, an' I sometimes think that voice lives anyhow,--
That perhaps Bill helps with the music in the place he's gone to now.

The last time that I seen him was the day he rode away;
He was goin' acrost the plain to catch the train for the East next day.
'Twas the only time I ever seen poor Bill that he didn't laugh
Or sing, an' kick up a rumpus an' racket around, and chaff,
For he'd got a letter from his folks that said for to hurry home,
For his mother was dyin' away down East an' she wanted Bill to come.
Say, but the feller took it hard, but he saddled up right away,
An' started across the plains to take the train for the East, next day.
Sometimes I lie awake a-nights jist a-thinkin' of the rest,
For that was the great big blizzard day, when the wind come down from west,
An' the snow piled up like mountains an' we couldn't put foot outside,
But jist set into the shack an' talked of Bill on his lonely ride.
We talked of the laugh he threw us as he went at the break o' day,
An' we talked of the poor old woman dyin' a thousand mile away.

Well, Dan O'Connell an' I went out to search at the end of the week,
Fer all of us fellers thought a lot,--a lot that we darsn't speak.
We'd been up the trail about forty mile, an' was talkin' of turnin' back,
But Dan, well, he wouldn't give in, so we kep' right on to the railroad track.
As soon as we sighted them telegraph wires says Dan, "Say, bless my soul!
Ain't that there Bill's red handkerchief tied half way up that pole?"
Yes, sir, there she was, with her ends a-flippin' an' flyin' in the wind,
An' underneath was the envelope of Bill's letter tightly pinned.
"Why, he must a-boarded the train right here," says Dan, but I kinder knew
That underneath them snowdrifts we would find a thing or two;
Fer he'd writ on that there paper, "Been lost fer hours,--all hope is past.
You'll find me, boys, where my handkerchief is flyin' at half-mast."



THE SLEEPING GIANT


(THUNDER BAY, LAKE SUPERIOR)

When did you sink to your dreamless sleep
Out there in your thunder bed?
Where the tempests sweep,
And the waters leap,
And the storms rage overhead.

Were you lying there on your couch alone
Ere Egypt and Rome were born?
Ere the Age of Stone,
Or the world had known
The Man with the Crown of Thorn.

The winds screech down from the open west,
And the thunders beat and break
On the amethyst
Of your rugged breast,--
But you never arise or wake.

You have locked your past, and you keep the key
In your heart 'neath the westing sun,
Where the mighty sea
And its shores will be
Storm-swept till the world is done.



THE QUILL WORKER


Plains, plains, and the prairie land which the sunlight floods and fills,
To the north the open country, southward the Cyprus Hills;
Never a bit of woodland, never a rill that flows,
Only a stretch of cactus beds, and the wild, sweet prairie rose;
Never a habitation, save where in the far south-west
A solitary tepee lifts its solitary crest,
Where Neykia in the doorway, crouched in the red sunshine,
Broiders her buckskin mantle with the quills of the porcupine.

Neykia, the Sioux chief's daughter, she with the foot that flies,
She with the hair of midnight and the wondrous midnight eyes,
She with the deft brown fingers, she with the soft, slow smile,
She with the voice of velvet and the thoughts that dream the while,--
"Whence come the vague to-morrows? Where do the yesters fly?
What is beyond the border of the prairie and the sky?
Does the maid in the Land of Morning sit in the red sunshine,
Broidering her buckskin mantle with the quills of the porcupine?"

So Neykia, in the westland, wonders and works away,
Far from the fret and folly of the "Land of Waking Day."
And many the pale-faced trader who stops at the tepee door
For a smile from the sweet, shy worker, and a sigh when the hour is o'er.
For they know of a young red hunter who oftentimes has stayed
To rest and smoke with her father, tho' his eyes were on the maid;
And the moons will not be many ere she in the red sunshine
Will broider his buckskin mantle with the quills of the porcupine.



GUARD OF THE EASTERN GATE


Halifax sits on her hills by the sea
In the might of her pride,--
Invincible, terrible, beautiful, she
With a sword at her side.

To right and to left of her, battlements rear
And fortresses frown;
While she sits on her throne without favour or fear
With her cannon as crown.

Coast guard and sentinel, watch of the weal
Of a nation she keeps;
But her hand is encased in a gauntlet of steel,
And her thunder but sleeps.



AT CROW'S NEST PASS


At Crow's Nest Pass the mountains rend
Themselves apart, the rivers wend
A lawless course about their feet,
And breaking into torrents beat
In useless fury where they blend
At Crow's Nest Pass.

The nesting eagle, wise, discreet,
Wings up the gorge's lone retreat
And makes some barren crag her friend
At Crow's Nest Pass.

Uncertain clouds, half-high, suspend
Their shifting vapours, and contend
With rocks that suffer not defeat;
And snows, and suns, and mad winds meet
To battle where the cliffs defend
At Crow's Nest Pass.



"GIVE US BARABBAS" [4]


There was a man--a Jew of kingly blood,
But of the people--poor and lowly born,
Accused of blasphemy of God, He stood
Before the Roman Pilate, while in scorn
The multitude demanded it was fit
That one should suffer for the people, while
Another be released, absolved, acquit,
To live his life out virtuous or vile.

"Whom will ye have--Barabbas or this Jew?"
Pilate made answer to the mob, "The choice
Is yours; I wash my hands of this, and you,
Do as you will." With one vast ribald voice
The populace arose and, shrieking, cried,
"Give us Barabbas, we condone his deeds!"
And He of Nazareth was crucified--
Misjudged, condemned, dishonoured for their needs.

And down these nineteen centuries anew
Comes the hoarse-throated, brutalized refrain,
"Give us Barabbas, crucify the Jew!"
Once more a man must bear a nation's stain,--
And that in France, the chivalrous, whose lore
Made her the flower of knightly age gone by.
Now she lies hideous with a leprous sore
No skill can cure--no pardon purify.

And an indignant world, transfixed with hate
Of such disease, cries, as in Herod's time,
Pointing its finger at her festering state,
"Room for the leper, and her leprous crime!"
And France, writhing from years of torment, cries
Out in her anguish, "Let this Jew endure,
Damned and disgraced, vicarious sacrifice.
The honour of my army is secure."

And, vampire-like, that army sucks the blood
From out a martyr's veins, and strips his crown
Of honour from him, and his herohood
Flings in the dust, and cuts his manhood down.
Hide from your God, O! ye that did this act!
With lesser crimes the halls of Hell are paved.
Your army's honour may be still intact,
Unstained, unsoiled, unspotted,--but unsaved.


[4] Written after Dreyfus was exiled.



YOUR MIRROR FRAME


Methinks I see your mirror frame,
Ornate with photographs of them.
Place mine therein, for, all the same,
I'll have my little laughs at them.

For girls may come, and girls may go,
I think I have the best of them;
And yet this photograph I know
You'll toss among the rest of them.

I cannot even hope that you
Will put me in your locket, dear;
Nor costly frame will I look through,
Nor bide in your breast pocket, dear.

For none your heart monopolize,
You favour such a nest of them.
So I but hope your roving eyes
Seek mine among the rest of them.

For saucy sprite, and noble dame,
And many a dainty maid of them
Will greet me in your mirror frame,
And share your kisses laid on them.

And yet, sometimes I fancy, dear,
You hold me as the best of them.
So I'm content if I appear
To-night with all the rest of them.



THE CITY AND THE SEA


I

To none the city bends a servile knee;
Purse-proud and scornful, on her heights she stands,
And at her feet the great white moaning sea
Shoulders incessantly the grey-gold sands,--
One the Almighty's child since time began,
And one the might of Mammon, born of clods;
For all the city is the work of man,
But all the sea is God's.

II

And she--between the ocean and the town--
Lies cursed of one and by the other blest:
Her staring eyes, her long drenched hair, her gown,
Sea-laved and soiled and dank above her breast.
She, image of her God since life began,
She, but the child of Mammon, born of clods,
Her broken body spoiled and spurned of man,
But her sweet soul is God's.



FIRE-FLOWERS


And only where the forest fires have sped,
Scorching relentlessly the cool north lands,
A sweet wild flower lifts its purple head,
And, like some gentle spirit sorrow-fed,
It hides the scars with almost human hands.

And only to the heart that knows of grief,
Of desolating fire, of human pain,
There comes some purifying sweet belief,
Some fellow-feeling beautiful, if brief.
And life revives, and blossoms once again.



A TOAST


There's wine in the cup, Vancouver,
And there's warmth in my heart for you,
While I drink to your health, your youth, and your wealth,
And the things that you yet will do.
In a vintage rare and olden,
With a flavour fine and keen,
Fill the glass to the edge, while I stand up to pledge
My faith to my western queen.

Then here's a Ho! Vancouver, in wine of the bonniest hue,
With a hand on my hip and the cup at my lip,
And a love in my life for you.
For you are a jolly good fellow, with a great, big heart, I know;
So I drink this toast
To the "Queen of the Coast."
Vancouver, here's a Ho!

And here's to the days that are coming,
And here's to the days that are gone,
And here's to your gold and your spirit bold,
And your luck that has held its own;
And here's to your hands so sturdy,
And here's to your hearts so true,
And here's to the speed of the day decreed
That brings me again to you.

Then here's a Ho! Vancouver, in wine of the bonniest hue,
With a hand on my hip and the cup at my lip,
And a love in my life for you.
For you are a jolly good fellow, with a great, big heart, I know;
So I drink this toast
To the "Queen of the Coast."
Vancouver, here's a Ho!



LADY ICICLE


Little Lady Icicle is dreaming in the north-land
And gleaming in the north-land, her pillow all a-glow;
For the frost has come and found her
With an ermine robe around her
Where little Lady Icicle lies dreaming in the snow.

Little Lady Icicle is waking in the north-land,
And shaking in the north-land her pillow to and fro;
And the hurricane a-skirling
Sends the feathers all a-whirling
Where little Lady Icicle is waking in the snow.

Little Lady Icicle is laughing in the north-land,
And quaffing in the north-land her wines that overflow;
All the lakes and rivers crusting
That her finger-tips are dusting,
Where little Lady Icicle is laughing in the snow.

Little Lady Icicle is singing in the north-land,
And bringing from the north-land a music wild and low;
And the fairies watch and listen
Where her silver slippers glisten,
As little Lady Icicle goes singing through the snow.

Little Lady Icicle is coming from the north-land,
Benumbing all the north-land where'er her feet may go;
With a fringe of frost before her
And a crystal garment o'er her,
Little Lady Icicle is coming with the snow.



THE LEGEND OF QU'APPELLE VALLEY


I am the one who loved her as my life,
Had watched her grow to sweet young womanhood;
Won the dear privilege to call her wife,
And found the world, because of her, was good.
I am the one who heard the spirit voice,
Of which the paleface settlers love to tell;
From whose strange story they have made their choice
Of naming this fair valley the "Qu'Appelle."

She had said fondly in my eager ear--
"When Indian summer smiles with dusky lip,
Come to the lakes, I will be first to hear
The welcome music of thy paddle dip.
I will be first to lay in thine my hand,
To whisper words of greeting on the shore;
And when thou would'st return to thine own land,
I'll go with thee, thy wife for evermore."

Not yet a leaf had fallen, not a tone
Of frost upon the plain ere I set forth,
Impatient to possess her as my own--
This queen of all the women of the North.
I rested not at even or at dawn,
But journeyed all the dark and daylight through--
Until I reached the Lakes, and, hurrying on,
I launched upon their bosom my canoe.

Of sleep or hunger then I took no heed,
But hastened o'er their leagues of waterways;
But my hot heart outstripped my paddle's speed
And waited not for distance or for days,
But flew before me swifter than the blade
Of magic paddle ever cleaved the Lake,
Eager to lay its love before the maid,
And watch the lovelight in her eyes awake.

So the long days went slowly drifting past;
It seemed that half my life must intervene
Before the morrow, when I said at last--
"One more day's journey and I win my queen!"
I rested then, and, drifting, dreamed the more
Of all the happiness I was to claim,--
When suddenly from out the shadowed shore,
I heard a voice speak tenderly my name.

"Who calls?" I answered; no reply; and long
I stilled my paddle blade and listened. Then
Above the night wind's melancholy song
I heard distinctly that strange voice again--
A woman's voice, that through the twilight came
Like to a soul unborn--a song unsung.

I leaned and listened--yes, she spoke my name,
And then I answered in the quaint French tongue,
"Qu'Appelle? Qu'Appelle?" No answer, and the night
Seemed stiller for the sound, till round me fell
The far-off echoes from the far-off height--
"Qu'Appelle?" my voice came back, "Qu'Appelle? Qu'Appelle?"
This--and no more; I called aloud until
I shuddered as the gloom of night increased,
And, like a pallid spectre wan and chill,
The moon arose in silence in the east.

I dare not linger on the moment when
My boat I beached beside her tepee door;
I heard the wail of women and of men,--
I saw the death-fires lighted on the shore.
No language tells the torture or the pain,
The bitterness that flooded all my life,--
When I was led to look on her again,
That queen of women pledged to be my wife.
To look upon the beauty of her face,
The still closed eyes, the lips that knew no breath;
To look, to learn,--to realize my place
Had been usurped by my one rival--Death.
A storm of wrecking sorrow beat and broke
About my heart, and life shut out its light
Till through my anguish some one gently spoke,
And said, "Twice did she call for thee last night."

I started up--and bending o'er my dead,
Asked when did her sweet lips in silence close.
"She called thy name--then passed away," they said,
"Just on the hour whereat the moon arose."

Among the lonely Lakes I go no more,
For she who made their beauty is not there;
The paleface rears his tepee on the shore
And says the vale is fairest of the fair.
Full many years have vanished since, but still
The voyageurs beside the campfire tell
How, when the moonrise tips the distant hill,
They hear strange voices through the silence swell.
The paleface loves the haunted lakes they say,
And journeys far to watch their beauty spread
Before his vision; but to me the day,
The night, the hour, the seasons are all dead.
I listen heartsick, while the hunters tell
Why white men named the valley The Qu'Appelle.



THE ART OF ALMA-TADEMA


There is no song his colours cannot sing,
For all his art breathes melody, and tunes
The fine, keen beauty that his brushes bring
To murmuring marbles and to golden Junes.

The music of those marbles you can hear
In every crevice, where the deep green stains
Have sunken when the grey days of the year
Spilled leisurely their warm, incessant rains

That, lingering, forget to leave the ledge,
But drenched into the seams, amid the hush
Of ages, leaving but the silent pledge
To waken to the wonder of his brush.

And at the Master's touch the marbles leap
To life, the creamy onyx and the skins
Of copper-coloured leopards, and the deep,
Cool basins where the whispering water wins

Reflections from the gold and glowing sun,
And tints from warm, sweet human flesh, for fair
And subtly lithe and beautiful, leans one--
A goddess with a wealth of tawny hair.



GOOD-BYE


Sounds of the seas grow fainter,
Sounds of the sands have sped;
The sweep of gales,
The far white sails,
Are silent, spent and dead.

Sounds of the days of summer
Murmur and die away,
And distance hides
The long, low tides,
As night shuts out the day.




MISCELLANEOUS POEMS

(These miscellaneous poems are all of later date.)



IN GREY DAYS


Measures of oil for others,
Oil and red wine,
Lips laugh and drink, but never
Are the lips mine.

Worlds at the feet of others,
Power gods have known,
Hearts for the favoured round me
Mine beats, alone.

Fame offering to others
Chaplets of bays,
I with no crown of laurels,
Only grey days.

Sweet human love for others,
Deep as the sea,
God-sent unto my neighbour--
But not to me.

Sometime I'll wrest from others
More than all this,
I shall demand from Heaven
Far sweeter bliss.

What profit then to others,
Laughter and wine?
I'll have what most they covet--
Death, will be mine.



BRANDON


(ACROSTIC)

Born on the breast of the prairie, she smiles to her sire--the sun,
Robed in the wealth of her wheat-lands, gift of her mothering soil,
Affluence knocks at her gateways, opulence waits to be won.
Nuggets of gold are her acres, yielding and yellow with spoil,
Dream of the hungry millions, dawn of the food-filled age,
Over the starving tale of want her fingers have turned the page;
Nations will nurse at her storehouse, and God gives her grain for wage.



THE INDIAN CORN PLANTER


He needs must leave the trapping and the chase,
For mating game his arrows ne'er despoil,
And from the hunter's heaven turn his face,
To wring some promise from the dormant soil.

He needs must leave the lodge that wintered him,
The enervating fires, the blanket bed--
The women's dulcet voices, for the grim
Realities of labouring for bread.

So goes he forth beneath the planter's moon
With sack of seed that pledges large increase,
His simple pagan faith knows night and noon,
Heat, cold, seedtime and harvest shall not cease.

And yielding to his needs, this honest sod,
Brown as the hand that tills it, moist with rain,
Teeming with ripe fulfilment, true as God,
With fostering richness, mothers every grain.



THE CATTLE COUNTRY


Up the dusk-enfolded prairie,
Foot-falls, soft and sly,
Velvet cushioned, wild and wary,
Then--the coyote's cry.

Rush of hoofs, and roar and rattle,
Beasts of blood and breed,
Twenty thousand frightened cattle,
Then--the wild stampede.

Pliant lasso circling wider
In the frenzied flight--
Loping horse and cursing rider,
Plunging through the night.

Rim of dawn the darkness losing
Trail of blackened soil;
Perfume of the sage brush oozing
On the air like oil.

Foothills to the Rockies lifting
Brown, and blue, and green,
Warm Alberta sunlight drifting
Over leagues between.

That's the country of the ranges,
Plain and prairie land,
And the God who never changes
Holds it in His hand.



AUTUMN'S ORCHESTRA


(INSCRIBED TO ONE BEYOND SEAS)

Know by the thread of music woven through
This fragile web of cadences I spin,
That I have only caught these songs since you
Voiced them upon your haunting violin.

THE OVERTURE

October's orchestra plays softly on
The northern forest with its thousand strings,
And Autumn, the conductor wields anon
The Golden-rod-- The baton that he swings.

THE FIRS

There is a lonely minor chord that sings
Faintly and far along the forest ways,
When the firs finger faintly on the strings
Of that rare violin the night wind plays,
Just as it whispered once to you and me
Beneath the English pines beyond the sea.

MOSSES

The lost wind wandering, forever grieves
Low overhead,
Above grey mosses whispering of leaves
Fallen and dead.
And through the lonely night sweeps their refrain
Like Chopin's prelude, sobbing 'neath the rain.

THE VINE

The wild grape mantling the trail and tree,
Festoons in graceful veils its drapery,
Its tendrils cling, as clings the memory stirred
By some evasive haunting tune, twice heard.

THE MAPLE

I

It is the blood-hued maple straight and strong,
Voicing abroad its patriotic song.

II

Its daring colours bravely flinging forth
The ensign of the Nation of the North.

HARE-BELL

Elfin bell in azure dress,
Chiming all day long,
Ringing through the wilderness
Dulcet notes of song.
Daintiest of forest flowers
Weaving like a spell--
Music through the Autumn hours,
Little Elfin bell.

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