Book: The Shagganappi

E >> E. Pauline Johnson >> The Shagganappi




For an instant Billy was speechless. His nerves shook with a boy's first
fear of battle. His old gun-shyness had him in its grip. Then his heart
swelled with the pride aroused by his father's words; he raised his
head, his chin, his eyes, and suddenly his look caught a picture hanging
in its deep gold frame on the wall. It was a picture of a little old
gray-haired woman--a sad-faced old woman dressed in black and wearing a
widow's cap. It was a picture of Queen Victoria.

Then Billy's voice came.

"I can't remember ever having heard my mother speak, but"--pointing to
the picture--"_she_ has been calling me ever since the war began. I know
I'm only a big kid, and I can't fight with the men, but I _can_ bugle,
and, Dad, you and I'll go together."

Once more they looked at each other as man to man. Then Billy's father
shook hands with him--a hard, true, clinging shake--and, without a
word, left the room.

Oh, what a day it was for the little city when the picked men of the
regiment marched out in their khaki uniforms, halting at the railway
station for all the last good-byes before the train pulled them out
eastward, to board the transport ships that swung so impatiently in
Halifax harbor! The whole town was at the station, every boy in the
place shouting and cheering and wishing he were grown up, were clad in
khaki, were shouldering an Enfield rifle, and were going to fight for
the queen. When it was all over Bert and Tommy stood watching with
straining eyes the fast disappearing train, handkerchiefs and caps and
hands were waving from every window, faint snatches of cheers, and the
tune of "The Girl I Left Behind Me," came floating backward. But the
boys only saw a small blotch of khaki color on the rear platform of the
train, and a brilliant point of light where the golden Canada sun flung
back its reflections from a well-polished bugle. They watched that light
growing less and less in the distance, until it finally faded like a
setting star.

* * * * * * * *

Weeks afterwards the newspapers rang with the glory of it all. The fame
and the bravery of the Canadian regiments at the terrible battle of
Paardeburg was known to all the world. Bert and Tommy and the rest of
the boys devoured every line that touched on that wonderful fight, but
their pride fairly broke bounds when in the great city papers they read
this description:

"Throughout the thickest of the fight, a small but noticeable figure
held his ground like a rock. It was a stocky little 'Canuck' bugler,
whose life seemed almost charmed, so thickly did the Boer bullets pepper
about him, leaving him absolutely unhurt."

"That's Billy!" they shouted hoarsely at each other. "Billy, as sure
as you're alive!" Then they fairly covered the town with the news,
gathering all the boys together in one big rejoicing crowd, telling each
other over and over again the story of the battle, and joining in the
monster parade, carrying banners, flags, lanterns and torches, to give
honor to Canadian pluck and patriotism.

* * * * * * * *

And then, one day, a train came steaming and roaring into the station.
The thronging crowds, the gay flags, the merry bands, and the ringing
cheers, were a welcome greeting for the little knot of war-worn men who
had fought so loyally for queen and country.

"The stocky little Canuck!" as everyone now called Billy Jackson, was
almost the last to alight from the train. He looked terribly shy and
bashful at the uproarious reception he got; but he stood erect in his
faded and patched old khaki uniform, his battered bugle still flashed
back the sunlight, and his handgrip was as firm as his father's as
the boys crowded up, yelling, "What's the matter with Gun-Shy Billy?
_He's all right_!"

But even as they cheered and welcomed him, Billy's eyes grew strangely
odd-looking. The shyness and the smile seemed to sink out of them. His
glance had caught sight of a slender, black-draped figure standing far
back from the welcoming crowd--the figure of a young woman whose fingers
clasped the chubby hand of a boy about three years old. For an instant
Billy stood voiceless, his eyes staring, his mouth twitching nervously,
his hands rigid and icy.

"Come on! Come on, fellows!" shouted the boys, as the crowd surged
closer about him, and friendly hands seized him by arm and shoulder.

But he moved not a step.

"Why, Billy, what's up?" exclaimed a dozen excited voices. "Come on! The
carriages are waiting to start the parade! The band's getting in line.
Hurry up! Hurry up!"

Then Billy spoke. His voice came, shaky, as in the old, gun-shy days;
but quietly as he spoke, the words seemed to reach across the whole
station platform.

"Boys! Oh, boys! There's poor Jack Morrison's wife and the little lad he
sent his love to!"

The crowd hushed its gay clamor and every head turned towards the
woman in black and the chubby child. They stood quite alone, silent,
white-faced, weary. Jack Morrison was the only one who had not returned
with the brave little band of soldiers who had set forth so valiantly
months before.

"I saw him fall," said Billy hoarsely; "fall, shot in a dozen places.
For a moment, boys, I think I failed to bugle. I dropped on my knees and
raised his poor face out of the dust. 'Billy,' he said, 'Billy, when
you get home, give my love to my wife and little Buddie.' Then he just
seemed to sink into a heap, and I sprang up to 'commands.' Boys, through
the rest of that fight I could see nothing but Mrs. Morrison's white
face, hear nothing but her sobs. Oh, the misery of it all! I seemed to
grow into an old man all at once. I could see myself coming home, and
all of us here cheering--all but Jack Morrison."

No one spoke. A vast silence fell, and the cheering ceased. Then Billy
walked quietly through the crowd, and standing beside the white-faced
widow, picked up the child in his strong young arms. He was not used
to babies, and looked awkward and stiff and terribly conscious. Then
he pulled himself together.

"I have a message for you, Mrs. Morrison, and for this little chap here.
I'll come and see you to-morrow, if I may, when all this fuss and
flag-waving is over."

The woman looked blankly at him, with eyes that seemed watching for
something--something that never came. Billy dared not trust himself
to say another word. He finally set the child down and turned away.

In a few minutes the "procession" was in full swing, Billy and his
father, in one of the carriages, being driven beneath arches and
banners, and handclasped on all sides. Somehow, he got through that
uproarious day smiling, but shy as usual, but when night came he was
tired and utterly undone, and "turned in" early. But sleep would not
come. Then he arose and crept to his little bedroom window, standing
there a long, long time alone in the dark--thinking. How glorious it all
had been!--the glad, loyal faces of his boy friends, the magnificent
welcome home--if only they could have brought Jack Morrison back with
them! Oh! Billy would have given up all the glory, the music, the
cheers, the banners, to get away from the haunting memory of a woman's
white, suffering face and black-robed figure, and the feel of the
clinging hands of a tiny fatherless boy! His eyes did not see the homely
street at his feet--the dying rockets and fireworks glaring against the
sky. He saw only a simple grave in the open veldt in far-away Africa--a
grave that he, himself, had heaped with stones formed in the one word
"Canada." At the recollection of it, poor Billy buried his aching head
in his hands. The glory had paled and vanished. There was nothing left
of this terrible war but the misery, the mourning, the heartbreak of
it all!



The Brotherhood


"What is the silver chain for, Queetah?" asked the boy, lifting the
tomahawk* and running the curious links between his thumb and fingers.
"I never saw one before."

[*The tomahawk and avenging knife spoken of in the story are both
in the possession of the writer, the knife having been buried for
seventy-three years on the estate where she was born.]


The Mohawk smiled. "That is because few tomahawks content themselves
with times of peace. While war lives, you will never see a silver chain
worn by an Iroquois, nor will you see it on anything he possesses," he
answered.

"Then it is the badge of peace?" questioned the boy.

"The badge of peace--yes," replied Queetah.

It was a unique weapon which the boy fingered so curiously. The tomahawk
itself was shaped like a slender axe, and wrought of beaten copper, with
a half-inch edge of gleaming steel cleverly welded on, forming a deadly
blade. At the butt end of the axe was a delicately shaped pipe bowl,
carved and chased with heads of animals, coiling serpents and odd
conventional figures, totems of the once mighty owner, whose war cry
had echoed through the lake lands and forests more than a century ago.
The handle was but eighteen inches long, a smooth polished stem of
curled maple, the beauty of the natural wood heightened by a dark strip
of color that wound with measured, even sweeps from tip to base like
a ribbon. Queetah had long ago told the boy how that rich spiral
decoration was made--how the old Indians wound the wood with strips of
wet buckskin, then burnt the exposed wood sufficiently to color it. The
beautiful white coils were the portions protected by the hide from the
flame and smoke.

Inlaid in this handle were strange designs of dull-beaten silver, cubes
and circles and innumerable hearts, the national symbol of the Mohawks.
At the extreme end was a small, flat metal mouthpiece, for this strange
weapon was a combination of sun and shadow; it held within itself the
unique capabilities of being a tomahawk, the most savage instrument in
Indian warfare, and also a peace pipe, that most beautiful of all Indian
treasures.

"It is so strange," said the boy, fingering the weapon lovingly. "Your
people are the most terrible on the warpath of all the nations in the
world, yet they seem to think more of that word 'peace,' and to honor it
more, than all of us put together. Why, you even make silver chains for
emblems of peace, like this," and he tangled his slim fingers in the
links that looped from the lower angle of the steel edge to the handle.

"Yes," replied Queetah, "we value peace; it is a holy word to the red
man, perhaps because it is so little with us, because we know its face
so slightly. The face of peace has no fiery stripes of color, no streaks
of the deadly black and red, the war paints of the fighting Mohawks. It
is a face of silver, like this chain, and when it smiles upon us, we
wash the black and red from off our cheeks, and smoke this pipe as a
sign of brotherhood with all men."

"Brotherhood with all men," mused the boy, aloud. "We palefaces have
no such times, Queetah. Some of us are always at war. If we are not
fighting here, we are fighting beyond the great salt seas. I wish we had
more of your ways, Queetah--your Indian ways. I wish we could link a
silver chain around the world; we think we are the ones to teach, but I
believe you could teach us much. Will you not teach me now? Tell me the
story of this tomahawk. I may learn something from it--something of
Indian war, peace and brotherhood."

"The story is yours to hear," said the Mohawk, "if you would see how
peace grows out of deeds of blood, as the blue iris grows from the
blackness of the swamp; but it is the flower that the sun loves, not
the roots, buried in the darkness, from which the blossom springs. So
we of the red race say that the sun shines on peace alone, not the
black depths beneath it."

The Mohawk paused and locked his hands about his knees, while the boy
stretched himself at full length and stared up at the far sky beyond the
interlacing branches overhead. He loved to lie thus, listening to the
quaint tales of olden days that Queetah had stored up in his wonderful
treasure-house of memory. Everything the Indian possessed had associated
with it some wild tale of early Canadian history, some strange
half-forgotten Indian custom or legend, so he listened now to the story
of the last time that the ancient Indian law of "a life for a life" was
carried out in the beautiful Province of Ontario, while the low, even
voice of the Mohawk described the historical event, giving to the tale
the Indian term for the word "peace," which means "the silver chain that
does not tarnish."

"This was the tomahawk of my grandsire, who had won his eagle plume by
right of great bravery. For had he not at your age--just fifteen
years--stood the great national test of starving for three days and
three nights without a whimper? Did not this make him a warrior, with
the right to sit among the old men of his tribe, and to flaunt his eagle
plume in the face of his enemy? Ok-wa-ho was his name; it means 'The
Wolf,' and young as he was, like the wolf he could snarl and show his
fangs. His older brother was the chief, tall and terrible, with the
scowl of thunder on his brow and the gleaming fork of lightning in his
eyes. This chief thought never of council fires or pipes or hunting or
fishing, he troubled not about joining the other young men in their
sports of lacrosse or snow-snake, or bowl-and-beans; to him there was
nothing in life but the warpath, no song but the war cry, no color but
the war paint. Daily he sharpened his scalping knife, daily he polished
his tomahawk, daily feathered and poisoned his arrows, daily he sought
enemies, taunted them, insulted them, braved them and conquered them;
while his young brother, Ok-wa-ho, rested in their lodge listening to
the wisdom of the old men, learning their laws and longing for peace.
Once Ok-wa-ho had said, 'My brother, stay with us, wash from thy cheeks
the black and scarlet; thy tomahawk has two ends: one is an edge, dyed
often in blood, but show us that thou hast not forgotten how to use the
other end--fill thy pipe.'

"'Little brother,' replied the chief, 'thou art yet but a stripling boy;
smoke, then, the peace pipe, but it is not for me.'

"Ok-wa-ho felt this to be an insult. It was a taunt on his bravery. He
squared his boyish shoulders, and, lifting his narrow chin, flung back
the answer, 'I, too, can use both ends, the edge as well as the pipe.'
The great chief laughed. 'That is right, Little Brother, and some day
the tribe will ask you to show them how well you can use the edge. I
shall not always be victor; some day I shall fall, and my enemy will
place his foot on my throat and voice the war cry of victory, just as
I have done these many days. Hast thou sat among the wise men of our
people long enough to learn what thou must do then--when the enemy
laughs over my body?'

"'Yes,' replied the boy, 'I am thy nearest of kin. Indian law demands
that I alone must avenge thy death. Thy murderer must die, and die by
no hand but mine. It is the law.'

"'It is the law,' echoed the chief. 'I can trust you to carry it out,
eh, Little Brother?'

"'You can trust me, no matter how great a giant thy enemy may be,'
answered the boy.

"'Thy words are as thy name,' smiled the chief. 'Thou art indeed worthy
of thy eagle plume. Thou art a true Ok-wa-ho.' Then placing his scalping
knife in its sheath at his belt he lifted his palm to his lips, a long,
strange, quivering yell rent the forest trails--a yell of defiance, of
mastery, of challenge; his feet were upon the warpath once more.

"That night, while the campfires yet glowed and flickered, painting the
forest with black shadows, against which curled the smoke from many pipe
bowls, a long, strange, haunting note came faintly down on the wings of
the water--the dark river whispering past bore on its deep currents the
awful sound of the Death Cry.

"'Some mighty one has fallen,' said the old men. 'The victor is voicing
his triumph from far upstream.' Then as the hours slipped by, a runner
came up the forest trail, chanting the solemn song of the departed. As
he neared the campfires he ceased his song, and in its place gave once
again the curdling horror of the Death Cry.

"'Who is the victor? Who the fallen brave?' cried the old men.

"'Thy chief this hour hunts buffalo in the happy hunting grounds, while
his enemy, Black Star, of the Bear Clan, sings the war song of the Great
Unconquered,' replied the runner.

"'Ah, ha!' replied the old men. 'Ok-wa-ho here is next of kin, but this
stripling boy is too young, too small, to face and fight Black Star. But
the law is that no other hand but his may avenge his brother's death.
So our great dead chief must sleep--sleep while his murderer sings and
taunts us with his freedom.'

"'Not so!' cried the young Ok-wa-ho. 'I shall face Black Star. I shall
obey the law of my people. My hand is small but strong, my aim is sure,
my heart is brave, and my vengeance will be swift.'

"Before the older men could stay him he was away, but first he snatched
the silver chain from off his tomahawk, emptied the bowl of tobacco,
destroyed all the emblems of peace, and turned his back upon the council
fire. All night long he scoured the forest for his brother's slayer,
all night long he flung from his boyish lips the dreaded war cry of the
avenger, and when day broke he drank from the waters of the river, and
followed the trail that led to the lodge of his mighty enemy. Outside
the door sat Black Star of the Bear Clan; astride a fallen tree he
lounged arrogantly; his hands, still red with last night's horrors, were
feathering arrows. His savage face curled into a sneer as the boy neared
him. Then a long, taunting laugh broke over the dawn, and he jeered:

"'So, pretty maiden-boy, what hast thou to do with the Great
Unconquered?'

"'I am the brother of thy victim,' said Ok-wa-ho, as he slipped his
tomahawk from his belt, placing it on the low bark roof of the lodge,
in case he needed a second weapon.

"'The Avenger, eh?' scoffed Black Star, mockingly.

"'The Avenger--yes,' repeated the boy. Then walking deliberately up to
the savage warrior, he placed his left hand on the other's shoulder,
and, facing him squarely, said: 'I am here to carry out the law of our
people; because I am young, it does not mean that I must not obey the
rules of older and wiser men. Will you fight me now? I demand it.'

"The other sneered. 'Fight _you_?' he said disdainfully. 'I do not fight
babies or women. Thou hast a woman's wrist, a baby's fingers. They could
not swing a tomahawk.'

"'No?' the boy sneered. 'Perhaps thou art right, but they can plunge a
knife. Did thou not lend my brother a knife last night? Yes? Then I have
come to return it.' There was a flash of steel, a wild death cry, and
Ok-wa-ho's knife was buried to the hilt in the heart of Black Star of
the Bear Clan."

Queetah ceased speaking, for the paleface boy, lying at his feet, had
shuddered and locked his teeth at the gruesome tale.

"But, Queetah," he said, after a long pause, "I thought this was a story
of peace, of 'the silver chain that does not tarnish.'"

"It is," replied the Indian. "You shall hear how peace was born out of
that black deed--listen:

"When Black Star of the Bear Clan lay dead at his feet, the centuries
of fighting blood surged up in the boy's whole body. He placed his
moccasined foot on the throat of the conquered, flung back his head,
and gave the long, wild Mohawk war cry of victory. Far off that cry
reached the ears of the older men, smoking about their council fire.

"'It is Ok-wa-ho's voice,' they said proudly, 'and it is the cry of
victory. We may never hear that cry again, for the white man's law and
rule begins to-day.' Which was true, for after that the Mohawks came
under the governmental laws of Canada. It was the last time the red
man's native law of justice, of 'blood for blood,' was ever enacted in
Ontario. This is history--Canadian history--not merely a tale of horror
with which to pass this winter afternoon." Again Queetah ceased
speaking, and again the boy persisted.

"But the silver chain?"

With a dreamy, far-away look the Indian continued:

"One never uses an avenging knife again. The blade even must not be
wiped; it is a dark deed, even to an Indian's soul, and the knife must
be buried on the dark side of a tree--the north side, where the sun
never shines, where the moss grows thickest. Ok-wa-ho buried his
blood-stained knife, slipping it blade downwards beneath the moss,
took his unused tomahawk, and returned to his people. 'The red man's
law is ended,' he said.

"'Yes, we must be as white men now,' replied the older men, sadly.

"That night Ok-wa-ho beat into this handle these small silver hearts.
They are the badge of brotherhood with all men. The next day white men
came, explaining the new rule that must hold sway in the forest. 'If
there is bloodshed among you,' they said, 'the laws of Canada will
punish the evil-doer. Put up your knives and tomahawks, and be at
peace.'

"And as the years went on and on, these ancient Indian customs all
dropped far into the past. Only one thing remained to remind Ok-wa-ho of
his barbarous, boyish deed: it was the top branch of a tall tree waving
above its fellows. As he fished and paddled peacefully miles up the
river, he could see that treetop, and his heart never forgot what was
lying at its roots. He grew old, old, until he reached the age of
eighty-nine, but the tree-top still waved and the roots still held their
secret.

"He came to me then. I was but a boy myself, but his grandson, and he
loved me. He told me this strange tale, adding: 'Queetah, my feet must
soon travel up the long trail. I would know what peace is like before I
go on the journey--come, we will unearth the knife.' I followed where he
led. We found the weapon three feet down in the earth, where the years
had weighted it. In places the steel was still bright, but in others
dark patches of rust covered the scarlet of Black Star's blood, [Fact.]
fresh seventy-three years before.

"'It is yours,' said Ok-wa-ho, placing it in my hand. 'See, the sun
shines on it; perhaps that will lessen the darkness of the deed, but
I obeyed the Indian law. Seventy-three years this knife has lain
buried. [Fact.] It was the last law, the last law.'

"That night Ok-wa-ho began to hammer and beat and mold these silver
links. When they were finished he welded them firmly to the tomahawk,
and, just before he went up the long, long trail, he gave it to me,
saying, 'This blade has never tasted blood, it will never have dark
spots on it like those on the knife. The silver chain does not tarnish,
for it means peace, and brotherhood of all men.'"

Queetah's voice ceased. The tale was ended.

"And peace has reigned ever since?" asked the boy, still looking at the
far-off sky through the branches overhead.

"Peace has reigned ever since," replied Queetah. "The Mohawks and the
palefaces are brothers, under one law. That was the last Avenging Knife.
It is Canadian history."



The Signal Code


Ever since Benny Ellis had been a little bit of a shaver he had played
at "railroad." Not just now and again, as other boys do, but he rarely
touched a game or a sport before he would ingeniously twist it into a
"pretend" railroad. Marbles were to him merely things to be used to
indicate telegraph poles, with glass and agate alleys as stations.
Sliding down hill on a bobsleigh, he invariably tooted and whistled like
an engine, and trudging uphill he puffed and imitated a heavy freight
climbing up grade. The ball grounds were to him the "Y" at the Junction,
the shunting yards, or the turn bridge at the roundhouse, for Benny's
father was an engineer, who ran the fast mail over the big western
division of the new road, where mountains and forests were cut and
levelled and tunnelled for the long, heavy transcontinental train to
climb through, and in his own home the boy heard little but railroad
talk, so he came by his preferences honestly.

"Well, Benny, been railroading to-day?" his father would often ask
playfully, on one of the three nights in the week when he was home,
with the grime of the engine coal-oiled from his big hands, and his
blue over-jeans hanging out behind the kitchen door.

"Yes, daddy," the youngster would begin excitedly, and climbing on to
the arm of his father's chair, he would beat his little heels together
in his eagerness to get the story out in speech, and proceed to explain
how he had built a "pretend" track in the yard with curves and grades,
over which his little express cart ran "bully." "And 'round the curves
we just signal to the other train and have whistles with real meanings
to them, like a really big train."

"Oho! getting up the signal system, are you, now?" his father would
grin. "Why, you'll be big enough and wise enough soon to come on Number
27 and wipe the engine or 'fire' for daddy. Won't that be nice?" Then
the big man would set the chubby child of six years down on the floor
to play, as he winked knowingly at Benny's mother, who nodded a smiling
reply.

But it did not take many years to make Benny a pretty big boy, and
one of the boy-kind who always start schemes and devices among their
schoolfellows. He seemed to be a born leader, with a crowd of other boys
always at his heels ready to follow where he ventured, or to mimic what
he did. No one ever walked ahead of him, no one ever suggested things to
do or places to go, when the engineer's son was around. He was always
the vanguard, but fortunately was the kind of boy who rarely, if ever,
led his followers into trouble. Finally someone nicknamed him "the Con,"
as short for "Conductor," for he still played at railroading, and had
long since decided that when school days were over he would go as a
train hand, and perhaps be lucky enough to be sometimes in his father's
crew. It was about this time, when Benny was twelve, that he invented
the signal code, and more than once it got "the gang" out of serious
trouble. The little divisional town where he lived was shut in between
hills so closely that it was a veritable furnace in summer, and all who
could went out camping, or built shacks on the Three Islands in the
little lake two miles farther down the track. So Benny and his little
brother and sister went with their mother to join some neighbors
camping, and dad would come down on a hand-car on off nights to get a
breath of air, and the coal dust blown out of his keen eyes. It did not
take the shrewd engineer long to discover that the boys on the islands
had a signal code. One would stand on his boat landing and wave a strip
of white cotton into a lot of grotesque figures, and far off on another
island some other boy would reply with similar figures, and after much
"talking," the various boys would act with perfect understanding, either
meeting out on the lake, in the boats, or going swimming, or building
camp fires--it did not matter much what they decided upon, but after
these signals they all worked in unison.

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