Book: The Secret Memoirs of Louis XV./XVI, Complete

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Once the Princess was deceived by a female painter of doubtful character,
who supplicated her to present a work she had executed to the Queen. I
myself afterwards returned that work to its owner. Thenceforward, the
Princess became very rigid in her inquiries, previous to taking the least
interest in any application, or consenting to present any one personally
to the King or Queen. She required thoroughly to be informed of the
nature of the request, and of the merit and character of the applicant,
before she would attend to either. Owing to this caution Her Highness
scarcely ever after met with a negative. In cases of great importance,
though the Queen's compassionate and good heart needed no stimulus to
impel her to forward the means of justice, the Princess would call the
influence of the Princesse Elizabeth to her aid; and Elizabeth never sued
in vain.

Marie Antoinette paid the greatest attention to all memorials. They were
regularly collected every week by Her Majesty's private secretary, the
Abbe Vermond. I have myself seen many of them, when returned from the
Princesse de Lamballe, with the Queen's marginal notes in her own
handwriting, and the answers dictated by Her Majesty to the different,
officers of the departments relative to the nature of the respective
demands. She always recommended the greatest attention to all public
documents, and annexed notes to such as passed through her hands to
prevent their being thrown aside or lost.

One of those who were least satisfied with the appointment of the
Princesse de Lamballe to the office of superintendent was her
brother-in-law, the Duc d'Orleans, who, having attempted her virtue on
various occasions and been repulsed, became mortified and alarmed at her
situation as a check to his future enterprise.

At one time the Duc and Duchesse d'Orleans were most constant and
assiduous in their attendance on Marie Antoinette. They were at all her
parties. The Queen was very fond of the Duchess. It is supposed that
the interest Her Majesty took in that lady, and the steps to which some
time afterwards that interest led, planted the first seeds of the
unrelenting and misguided hostility which, in the deadliest times of the
Revolution, animated the Orleanists against the throne.

The Duc d'Orleans, then Duc de Chartres, was never a favourite of the
Queen. He was only tolerated at Court on account of his wife and of the
great intimacy which subsisted between him and the Comte d'Artois. Louis
XVI. had often expressed his disapprobation of the Duke's character,
which his conduct daily justified.

The Princesse de Lamballe could have no cause to think of her
brother-in-law but with horror. He had insulted her, and, in revenge at
his defeat, had, it was said, deprived her, by the most awful means, of
her husband. The Princess was tenderly attached to her sister-in-law,
the Duchess. Her attachment could not but make her look very
unfavourably upon the circumstance of the Duke's subjecting his wife to
the humiliation of residing in the palace with Madame de Genlis, and
being forced to receive a person of morals so incorrect as the guardian
of her children. The Duchess had complained to her father, the Duc de
Penthievre, in the presence of the Princesse de Lamballe, of the very
great ascendency Madame de Genlis exercised over her husband; and had
even requested the Queen to use her influence in detaching the Duke from
this connexion.

(It was generally understood that the Duke had a daughter by Madame de
Genlis. This daughter, when grown up, was married to the late Irish Lord
Robert Fitzgerald.)

But she had too much gentleness of nature not presently to forget her
resentment. Being much devoted to her husband, rather than irritate him
to further neglect by personal remonstrance, she determined to make the
best of a bad business, and tolerated Madame de Genlis, although she made
no secret among her friends and relations of the reason why she did so.
Nay, so far did her wish not to disoblige her husband prevail over her
own feelings as to induce her to yield at last to his importunities by
frequently proposing to present Madame de Genlis to the Queen. But
Madame de Genilis never could obtain either a public or a private
audience. Though the Queen was a great admirer of merit and was fond of
encouraging talents, of which Madame de Genlis was by no means deficient,
yet even the account the Duchess herself had given, had Her Majesty
possessed no other means of knowledge, would have sealed that lady's
exclusion from the opportunities of display at Court which she sought so
earnestly.

There was another source of exasperation against the Duc d'Orleans; and
the great cause of a new and, though less obtrusive, yet perhaps an
equally dangerous foe under all the circumstances, in Madame de Genlis.
The anonymous slander of the one was circulated through all France by the
other; and spleen and disappointment feathered the venomed arrows shot at
the heart of power by malice and ambition. Be the charge true or false,
these anonymous libels were generally considered as the offspring of this
lady: they were industriously scattered by the Duc d'Orleans; and their
frequent refutation by the Queen's friends only increased the malignant
industry of their inventor.

An event which proved the most serious of all that ever happened to the
Queen, and the consequences of which were distinctly foreseen by the
Princesse de Lamballe and others of her true friends, was now growing to
maturity.

The deposed Court oracle, the Comtesse de Noailles, had been succeeded as
literary leader by the Comtesse Diane de Polignac. She was a favourite of
the Comte d'Artois, and was the first lady in attendance upon the
Countess, his wife.

(The Comtesse Diane de Polignac had a much better education, and
considerably more natural capacity, than her sister-in-law, the Duchess,
and the Queen merely disliked her for her prudish affectation. The
Comtesse d'Artois grew jealous of the Count's intimacy with the Comtesse
Diane. While she considered herself as the only one of the Royal Family
likely to be mother of a future sovereign, she was silent, or perhaps too
much engrossed by her castles in the air to think of anything but
diadems; but when she saw the Queen producing heirs, she grew out of
humour at her lost popularity, and began to turn her attention to her
husband's Endymionship to this now Diana! When she had made up her mind
to get her rival out of her house, she consulted one of the family; but
being told that the best means for a wife to keep her husband out of
harm's way was to provide him with a domestic occupation for his leisure
hours at home, than which nothing could be better than a handmaid under
the same roof, she made a merit of necessity and submitted ever after to
retain the Comtesse Diane, as she had been prudently advised. The
Comtesse Diane, in consequence, remained in the family even up to the
17th October, 1789, when she left Versailles in company with the De
Polignacs and the D'Artois, who all emigrated together from France to
Italy and lived at Stria on the Brenta, near Venice, for some time, till
the Comtesse d'Artois went to Turin.)

The Queen's conduct had always been very cool to her. She deemed her a
self-sufficient coquette. However, the Comtesse Diane was a constant
attendant at the gay parties which were then the fashion of the Court,
though not greatly admired.

The reader will scarcely need to be informed that the event to which I
have just alluded is the introduction by the Comtesse Diane of her
sister-in-law, the Comtesse Julie de Polignac, to the Queen; and having
brought the record up to this point I here once more dismiss my own pen
for that of the Princesse de Lamballe.

It will be obvious to every one that I must have been indebted to the
conversations of my beloved patroness for most of the sentiments and
nearly all the facts I have just been stating; and had the period on
which she has written so little as to drive me to the necessity of
writing for her been less pregnant with circumstances almost entirely
personal to herself, no doubt I should have found more upon that period
in her manuscript. But the year of which Her Highness says so little was
the year of happiness and exclusive favour; and the Princess was above
the vanity of boasting, even privately in the self-confessional of her
diary. She resumes her records with her apprehensions; and thus
proceeds, describing the introduction of the Comtesse Julie de Polignac,
regretting her ascendency over the Queen, and foreseeing its fatal
effects.]

"I had been only a twelvemonth in Her Majesty's service, which I believe
was the happiest period of both our lives, when, at one of the Court
assemblies, the Comtesse Julie de Polignac was first introduced by her
sister-in-law, the Comtesse Diane de Polignac, to the Queen.

"She had lived in the country, quite a retired life, and appeared to be
more the motherly woman, and the domestic wife, than the ambitious Court
lady, or royal sycophant. She was easy of access, and elegantly plain in
her dress and deportment.

"Her appearance at Court was as fatal to the Queen as it was propitious
to herself!

"She seemed formed by nature to become a royal favourite, unassuming,
remarkably complaisant, possessing a refined taste, with a good-natured
disposition, not handsome, but well formed, and untainted by haughtiness
or pomposity.

"It would appear, from the effect her introduction had on the Queen, that
her domestic virtues were written in her countenance; for she became a
royal favourite before she had time to become a candidate for royal
favour.

"The Queen's sudden attachment to the Comtesse Julie produced no
alteration in my conduct, while I saw nothing extraordinary to alarm me
for the consequences of any particular marked partiality, by which the
character and popularity of Her Majesty might be endangered.

"But, seeing the progress this lady made in the feelings of the Queen's
enemies, it became my duty, from the situation I held, to caution Her
Majesty against the risks she ran in making her favourites friends; for
it was very soon apparent how highly the Court disapproved of this
intimacy and partiality: and the same feeling soon found its way to the
many-headed monster, the people, who only saw the favourite without
considering the charge she held. Scarcely had she felt the warm rays of
royal favour, when the chilling blasts of envy and malice began to nip it
in the bud of all its promised bliss. Even long before she touched the
pinnacle of her grandeur as governess of the royal children the blackest
calumny began to show itself in prints, caricatures, songs, and pamphlets
of every description.

"A reciprocity of friendship between a Queen and a subject, by those who
never felt the existence of such a feeling as friendship, could only be
considered in a criminal point of view. But by what perversion could
suspicion frown upon the ties between two married women, both living in
the greatest harmony with their respective husbands, especially when both
became mothers and were so devoted to their offspring? This boundless
friendship did glow between this calumniated pair calumniated because the
sacredness and peculiarity of the sentiment which united them was too
pure to be understood by the grovelling minds who made themselves their
sentencers. The friend is the friend's shadow. The real sentiment of
friendship, of which disinterested sympathy is the sign, cannot exist
unless between two of the same sex, because a physical difference
involuntarily modifies the complexion of the intimacy where the sexes are
opposite, even though there be no physical relations. The Queen of
France had love in her eyes and Heaven in her soul. The Duchesse de
Polignac, whose person beamed with every charm, could never have been
condemned, like the Friars of La Trappe, to the mere memento mori.

"When I had made the representations to Her Majesty which duty exacted
from me on perceiving her ungovernable partiality for her new favourite,
that I might not importune her by the awkwardness naturally arising from
my constant exposure to the necessity of witnessing an intimacy she knew
I did not sanction, I obtained permission from my royal mistress to visit
my father-in-law, the Duc de Penthievre, at Rambouillet, his
country-seat.

"Soon after I arrived there, I was taken suddenly ill after dinner with
the most excruciating pains in my stomach. I thought myself dying.
Indeed, I should have been so but for the fortunate and timely discovery
that I was poisoned certainly, not intentionally, by any one belonging to
my dear father's household; but by some execrable hand which had an
interest in my death.

"The affair was hushed up with a vague report that some of the made
dishes had been prepared in a stew-pan long out of use, which the clerk
of the Duke's kitchen had forgotten to get properly tinned.

"This was a doubtful story for many reasons. Indeed, I firmly believe
that the poison given me had been prepared in the salt, for every one at
table had eaten of the same dish without suffering the smallest
inconvenience.

"The news of this accident had scarcely arrived at Versailles, when the
Queen, astounded, and, in excessive anxiety, instantly sent off her
physician, and her private secretary, the Abbe Vermond, to bring me back
to my apartments at Versailles, with strict orders not to leave me a
moment at the Duke's, for fear of a second attempt of the same nature.
Her Majesty had imputed the first to the earnestness I had always shown
in support of her interests, and she seemed now more ardent in her
kindness towards me from the idea of my being exposed through her means
to the treachery of assassins in the dark. The Queen awaited our coming
impatiently, and, not seeing the carriages return so quickly as she
fancied they ought to arrive, she herself set off for Rambouillet, and
did not leave me till she had prevailed on me to quit my father-in-law's,
and we both returned together the same night to Versailles, where the
Queen in person dedicated all her attention to the restoration of my
health.

"As yet, however, nothing in particular had discovered that splendour for
which the De Polignacs were afterwards so conspicuous.

"Indeed, so little were their circumstances calculated for a Court life,
that when the friends of Madame de Polignac perceived the growing
attachment of the young Queen to the palladium of their hopes, in order
to impel Her Majesty's friendship to repair the deficiencies of fortune,
they advised the magnet to quit the Court abruptly, assigning the want of
means as the motive of her retreat. The story got wind, and proved
propitious.

"The Queen, to secure the society of her friend, soon supplied the
resources she required and took away the necessity for her retirement.
But the die was cast. In gaining one friend she sacrificed a host. By
this act of imprudent preference she lost forever the affections of the
old nobility. This was the gale which drove her back among the breakers.

"I saw the coming storm, and endeavoured to make my Sovereign feel its
danger. Presuming that my example would be followed, I withdrew from the
De Polignac society, and vainly flattered myself that prudence would
impel others not to encourage Her Majesty's amiable infatuation till the
consequences should be irretrievable. But Sovereigns are always
surrounded by those who make it a point to reconcile them to their
follies, however flagrant, and keep them on good terms with themselves,
however severely they may be censured by the world.

"If I had read the book of fate I could not have seen more distinctly the
fatal results which actually took place from this unfortunate connexion.
The Duchess and myself always lived in the greatest harmony, and equally
shared the confidence of the Queen; but it was my duty not to sanction
Her Majesty's marked favouritism by my presence. The Queen often
expressed her discontent to me upon the subject. She used to tell me how
much it grieved her to be denied success in her darling desire of uniting
her friends with each other, as they were already united in her own
heart. Finding my resolution unalterable, she was mortified, but gave up
her pursuit. When she became assured that all importunity was useless,
she ever after avoided wounding my feelings by remonstrance, and allowed
me to pursue the system I had adopted, rather than deprive herself of my
society, which would have been the consequence had I not been left at
liberty to follow the dictates of my own sense of propriety in a course
from which I was resolved that even Her Majesty's displeasure should not
make me swerve.

"Once in particular, at an entertainment given to the Emperor Joseph at
Trianon, I remember the Queen took the opportunity to repeat how much she
felt herself mortified at the course in which I persisted of never making
my appearance at the Duchesse de Polignac's parties.

"I replied, 'I believe, Madame, we are both of us disappointed; but Your
Majesty has your remedy, by replacing me by a lady less scrupulous.'

"'I was too sanguine,' said the Queen, 'in having flattered myself that I
had chosen two friends who would form, from their sympathising and
uniting their sentiments with each other, a society which would embellish
my private life as much as they adorn their public stations.'

"I said it was by my unalterable friendship and my loyal and dutiful
attachment to the sacred person of Her Majesty that I had been prompted
to a line of conduct in which the motives whence it arose would impel me
to persist while I had the honour to hold a situation under Her Majesty's
roof.

"The Queen, embracing me, exclaimed, 'That will be for life, for death
alone can separate us!'

"This is the last conversation I recollect to have had with the Queen
upon this distressing subject.

"The Abbe Vermond, who had been Her Majesty's tutor, but who was now her
private secretary, began to dread that his influence over her, from
having been her confidential adviser from her youth upwards, would suffer
from the rising authority of the all-predominant new favourite.
Consequently, he thought proper to remonstrate, not with Her Majesty, but
with those about her royal person. The Queen took no notice of these
side-wind complaints, not wishing to enter into any explanation of her
conduct. On this the Abbe withdrew from Court. But he only retired for
a short time, and that to make better terms for the future. Here was a
new spring for those who were supplying the army of calumniators with
poison. Happy had it been, perhaps, for France and the Queen if Vermond
had never returned. But the Abbe was something like a distant country
cousin of an English Minister, a man of no talents, but who hoped for
employment through the power of his kinsman. 'There is nothing on hand
now,' answered the Minister, 'but a Bishop's mitre or a Field-marshal's
staff.'--'Oh, very well,' replied the countryman; 'either will do for me
till something better turns up.' The Abbe, in his retirement finding
leisure to reflect that there was no probability of anything 'better
turning up' than his post of private secretary, tutor, confidant, and
counsellor (and that not always the most correct) of a young and amiable
Queen of France, soon made his reappearance and kept his jealousy of the
De Polignacs ever after to himself.

"The Abbe Vermond enjoyed much influence with regard to ecclesiastical
preferments. He was too fond of his situation ever to contradict or
thwart Her Majesty in any of her plans; too much of a courtier to assail
her ears with the language of truth; and by far too much a clergyman to
interest himself but for Mother Church.

"In short, he was more culpable in not doing his duty than in the
mischief he occasioned, for he certainly oftener misled the Queen by his
silence than by his advice."




SECTION VIII.


"I have already mentioned that Marie Antoinette had no decided taste for
literature. Her mind rather sought its amusements in the ball-room, the
promenade, the theatre, especially when she herself was a performer, and
the concert-room, than in her library and among her books. Her coldness
towards literary men may in, some degree be accounted for by the disgust
which she took at the calumnies and caricatures resulting from her
mother's partiality for her own revered teacher, the great Metastasio.
The resemblance of most of Maria Theresa's children to that poet was
coupled with the great patronage he received from the Empress; and much
less than these circumstances would have been quite enough to furnish a
tale for the slanderer, injurious to the reputation of any exalted
personage.

"The taste of Marie Antoinette for private theatricals was kept up till
the clouds of the Revolution darkened over all her enjoyments.

"These innocent amusements were made subjects of censure against her by
the many courtiers who were denied access to them; while some, who were
permitted to be present, were too well pleased with the opportunity of
sneering at her mediocrity in the art, which those, who could not see
her, were ready to criticise with the utmost severity. It is believed
that Madame de Genlis found this too favourable an opportunity to be
slighted. Anonymous satires upon the Queen's performances, which were
attributed to the malice of that authoress, were frequently shown to Her
Majesty by good-natured friends. The Duc de Fronsac also, from some
situation he held at Court, though not included in the private household
of Her Majesty at Trianon, conceiving himself highly injured by not being
suffered to interfere, was much exasperated, and took no pains to prevent
others from receiving the infection of his resentment.

"Of all the arts, music was the only one which Her Majesty ever warmly
patronised. For music she was an enthusiast. Had her talents in this
art been cultivated, it is certain from her judgment in it that she would
have made very considerable progress. She sang little French airs with
great taste and feeling. She improved much under the tuition of the
great composer, her master, the celebrated Sacchini. After his death,
Sapio was named his successor; but, between the death of one master and
the appointment of another, the revolutionary horrors so increased that
her mind was no longer in a state to listen to anything but the howlings
of the tempest.

"In her happier days of power, the great Gluck was brought at her request
from Germany to Paris. He cost nothing to the public Treasury, for Her
Majesty paid all his expenses out of her own purse, leaving him the
profits of his operas, which attracted immense sums to the theatre.

"Marie Antoinette paid for the musical education of the French singer,
Garat, and pensioned him for her private concerts.

"Her Majesty was the great patroness of the celebrated Viotti, who was
also attached to her private musical parties. Before Viotti began to
perform his concertos, Her Majesty, with the most amiable condescension,
would go round the music saloon, and say, 'Ladies and gentlemen, I
request you will be silent, and very attentive, and not enter into
conversation, while Mr. Viotti is playing, for it interrupts him in the
execution of his fine performance.

"Gluck composed his Armida in compliment to the personal charms of Marie
Antoinette. I never saw Her Majesty more interested about anything than
she was for its success. She became a perfect slave to it. She had the
gracious condescension to hear all the pieces through, at Gluck's
request, before they were submitted to the stage for rehearsal. Gluck
said he always improved his music after he saw the effect it had upon Her
Majesty.

"He was coming out of the Queen's apartment one day, after he had been
performing one of these pieces for Her Majesty's approbation, when I
followed and congratulated him on the increased success he had met with
from the whole band of the opera at every rehearsal. 'O my dear
Princess!' cried he, 'it wants nothing to make it be applauded up to the
seven skies but two such delightful heads as Her Majesty's and your
own.'--'Oh, if that be all,' answered I, 'we'll have them painted for
you, Mr. Gluck!'--'No, no, no! you do not understand me,' replied Gluck,
'I mean real, real heads. My actresses are very ugly, and Armida and her
confidential lady ought to be very handsome:

"However great the success of the opera of Armida, and certainly it was
one of the best productions ever exhibited on the French stage, no one
had a better opinion of its composition than Gluck himself. He was quite
mad about it. He told the Queen that the air of France had invigorated
his musical genius, and that, after having had the honour of seeing Her
Majesty, his ideas were so much inspired that his compositions resembled
her, and became alike angelic and sublime!

"The first artist who undertook the part of Armida was Madame Saint
Huberti. The Queen was very partial to her. She was principal female
singer at the French opera, was a German by birth, and strongly
recommended by Gluck for her good natural voice. At Her Majesty's
request, Gluck himself taught Madame Saint Huberti the part of Armida.
Sacchini, also, at the command of Marie Antoinette, instructed her in the
style and sublimity of the Italian school, and Mdlle. Benin, the Queen's
dressmaker and milliner, was ordered to furnish the complete dress for
the character.

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