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PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

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Book: Atlantic Monthly Volume 7, No. 39, January, 1861

V >> Various >> Atlantic Monthly Volume 7, No. 39, January, 1861

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19



I have wellnigh swooned with ecstasy, as I have inhaled the overcoming
odors of some rare bouquet, love-bestowed and prized beyond gems; my
senses have reeled in the intoxication of those wondrous extracts whose
Oriental, tangible richness of fragrance holds me in a spell almost
mystical in its enthralment; but I dare aver that no blossom's breath,
no pungent perfume distilled by the erudite inspiration of Science, ever
possessed a tithe of the delicious agony of that whiff of unromantic
ammonia, which, powerful as the touch of magic, and thrilling as the
kiss of love, snatched me back to life, arrested my tottering senses, as
they blindly staggered on the very brink of certain death.

When we reach the next level, and our faces are revealed to each other,
with one voice they exclaim, "How frightfully pale you are!" But I say
nothing. In fact, their familiar features, wearing no longer their
daylight semblance, present an aspect at once grim and grotesque, and
more like the spirits of my friends than their incorporated substances.

Traversing the wild, rude corridors, we find that the path grows more
perilous, the way more intricate; we have words of warning from our
protectors, who often look back anxiously. They have begun to realize
what they have done in yielding to a woman's odd caprice.

In this level we are shown the spots from which famous masses of copper
have been removed, and are granted useful, but fleeting statistics
of weight; we are also so fortunate as to discover some chips of the
wonderful block, raised in '54, I think, which weighed five hundred
tons. Then we chance upon chasms, which, seen so dimly, though dreadful
enough in reality, are made a thousand times more so by the terrors of
imagination; we creep along the brinks of these, scarcely daring to look
down; above, the heavy boulders lie heaped in frightful confusion. When
we have crawled past these death-traps and stand in safety once more,
we throw down bits of stone, and seconds elapse before we hear the dull
_thump_ with which each signals its arrival in the depths. Along the
edges of some of these gloomy pits we cannot pick our way; therefore a
plank is thrown across, and, trusting to so slender a bridge, we pass,
one by one. A single false step were enough to dash one to atoms,--so
to be transformed to a bruised and mangled mass, to perform one's own
sepulture, and lie in a grander grave than will ever be hollowed by
mortal hands to hide our useless bodies.

The deeper one penetrates into these mines, the wilder, more dangerous
the paths. It is as though the upper regions were kept in "company"
order, but lower down we meet with the every-day roughnesses of
veritable miners'-life; we follow their hazardous, but familiar steps;
we behold all the hardships these toiling, burrowing workers undergo,
that the hidden coffers of Earth may yield their tribute of treasure to
Man, its self-appointed, arrogant master.

Occasionally we meet a passing miner. Grasping his ponderous tools, he
flits by like a phantom; even in the momentary glance, we can perceive
how livid his sunless labor has left him; he is blanched as a ghoul,
and moves as noiselessly, with feather-light step. Each with a motion
salutes the Captain; but they do not heed the little group of strangers
who have braved so many dangers to behold the wonders which to them
are as commonplace as the forge to a blacksmith, or to a carpenter his
work-bench.

Still farther below us we hear the clink and clatter of real work. Down
we plunge,--another ladder, "long drawn out." Some of its rounds are
wanting; others are loose and worn to a mere splinter. Warned by the
voice below me, I proceed with a trembling caution, tenfold more
exciting to the strained nerves than the wildest bound on a mettled
racer, the fiercest rush that ever tingled through every fibre of the
rider's frame.

The water has saturated the banks by which our crazy ladder hangs, and
every round is damp and slimy with clayey mud. Alas, for my poor pretty
gantlets! _Mon Amie_ has thrown away hers, as useless.

Finally the ladder ceases abruptly. My feet in vain seek a
resting-place. There is none.

A voice says,--that kindly, earnest voice, the symbol of protective
care, and our smoother of all difficulties,--"We have swung ourselves
down by a chain that hangs from the side of the last round. We are too
far below to reach or assist you. Take the chain firmly; it is the only
route, and we cannot return!"

_Que faire?_ Behold a pleasant predicament for two city-bred ladies, not
"to the manner born," of swinging themselves from the end of a ladder
by means of a rusty iron chain, from which they would alight--where?
Surely, we know not.

I am very sure I could not reproduce in description, and probably not
by practice, the inevitable monkey-contortions, the unimaginable animal
agility, by which I transfer my weight to the clumsy links of this
almost invisible chain. The size of the staple from which it hangs
dissipates all fears in respect to its strength. Hand over hand, my feet
sliding on the slippery bank, remembering sailors in the shrouds, and
taking time to pity them, at last I reach friendly hands, and stand
breathless on another level.

How the soft, white, dimpled palms of _Mon Amie_ testify to the hardship
of this episode, as she bathes them in the cooling water! But, because
one's hands are tender, cannot one's nerves be strong, one's will
indomitable?

Again on the tramp. The cavernous passages are sublime in height, the
chasms fearful in their yawning gulfs. We pick our way daintily, at
intervals pausing to listen to the distant reverberations of exploding
blasts. The atmosphere here, as above, is fairly heavenly in its purity
and invigorating freshness; it girds us with singular strength,
and clothes us as in a garment of enchanted armor that defies all
soul-sinking.

Creeping behind another shaft, we reach still another chasm, above which
piles of dark rocks lie heaped in such confusion as might result from a
great convulsion. There is a narrow path along its edge, and here the
stones are small; but, as we look up, the mighty masses frown down upon
us with threatening grandeur. Along this path, treading lightly, as
if gifted with wings, the Captain passes; then the Agent (for we had
slightly altered our order of march); _Mon Amie_ follows. She is
half-way past the danger, when an ominous pause,--we are ordered to
stop.

Down into the chasm rolls a stone, displaced by an unlucky step of our
pioneer. One stone is nothing,--but more follow that had been supported
by this: small ones at first,--but the larger rocks threaten a slide. If
they are not arrested in their course, she is lost!

What a moment that is! I dare not breathe. _Mon Amie_ stands
statue-like, awaiting the death which she believes is upon her. Not many
words are spoken. I think I feel all that her one glance conveys.
But the brave men beyond her, with instant unanimous action bracing
themselves against the sliding rocks, oppose their feeble force to the
down-sweeping agents of destruction; a moment more, and they would
have been too late. With the step of a frightened antelope _Mon Amie_
trembles past them. I see her safe, and hasten on. "Step lightly!" says
a voice full of suspense and fear, despite its calmness.

Step, indeed! As if I rest on those treacherous stones! My feet brush
them no more than the wing of a butterfly grazes the roses among which
it flutters. Step, forsooth! If ever the angels concerned themselves for
this atom in Creation's myriads, they hover round me now, they bear me
up, they teach me how to fly! Deprived now of their human props, how
the angry fragments leap and tumble and chase one another through the
echoing abyss below! These reverberations seem freighted with elfin
voices that jeer the insensate rocks for their baffled scheme of
mischief.

But they chanted a far different chorus, and the darkness saw another
sight, when, a few moons later, they dashed themselves down in
irresistible array, and bore with them in their desperate plunge the
lifeless bodies of two passing miners, in whose hearts, it may be, dwelt
at the moment only happy thoughts of the homes 'neath the blue skies to
which they were hurrying, the dear familiar sunlit Paradise that would
succeed the endless night of their _Inferno_ of toil.

"But men must work, and women must weep;
And the sooner 'tis over, the sooner to sleep!"

Well, we take up our march again presently, and, led by a monotonous
hammering, proceed toward the sound. Some of the miners are at work
here, clearing a mass of ore from the stubborn rock. Their strokes fall
as regularly as those of machinery, and the grim men who wield the
ponderous hammers accompany each blow with a peculiar loud indrawing of
the breath, like the pant of a blacksmith at his anvil. So strong is
this resemblance, that we burst forth all together in the strains of
the "Anvil Chorus"; and the accompaniment is beaten with tenfold more
regularity and effect than on the stage, in the glare of the footlights,
by "Il Trovatore's" gypsy-comrades. I doubt if Verdi's music was ever
so rendered before, amid such surroundings. The compliment may be the
higher, coming from so low a region.

Beyond this group are a few miners resting from toil. One of these, as
he stands leaning his folded arms on a jutting rock, upon which he has
placed his candle, elicits our spontaneous admiration. His beauty is
Apollo-like,--every chiselled feature perfect in its classic regularity;
his eyes sad, slumberous, and yet deep and glowing, are quite enough
for any susceptible maiden's heart; about a broad expanse of forehead
cluster thick masses of dark brown hair; his shirt, open at the throat,
reveals glimpses of ivory; altogether he is statuesque and beautiful.
Even his hands, strongly knit as they are, have not been rendered coarse
by labor; they bear the same pallid hue as his face, and he looks like
some nobly-born prisoner. "What untoward fate cast him there?" I often
ask myself. He exists in my memory as a veritable Prince Charming, held
captive in those gloomy caves of enchantment that yielded up to me their
unreal realities in that nightmarish experience. I never fancy him on
upper earth living coarsely, even, it may be, talking ungrammatically,
defying Horne Tooke and outraging Murray, among beings of a lower order
of humanity; but he rises like a statue, standing silent and apart.

Some one throws away a nearly burnt-out candle at this spot. It falls
but a few inches from a can of gunpowder, which is not too securely
closed. As I utter a quick word of warning to the careless one, a miner
starts. "Good Heaven!" I hear him exclaim, as we disappear,--"that was a
woman!"

When we reach the next shaft, the Captain deposits himself in the
descending bucket, and, irregularly tossing from side to side, goes down
to overlook some work, and leave fresh orders with the miners. We await
his return before again betaking ourselves to the ladders.

On the next level, we behold scores of men in busy action. I can think
only of ants in an ant-hill: some are laden with ore; others bearing the
refuse rocks and earth, the _debris_ of the mine, to the shafts; others,
again, are preparing blasts,--we do not tarry long with these; others
with picks work steadily at the tough ore. In some places, the copper
freshly broken glitters like gold, and the specks on the rocks, or in
the earth-covered mass, as our candle-light awakens their sparkles,
gleam like the spangles on a dancer's robe or stars in a midnight sky.
All the while we hear the dreadful rattle of the down-sinking caldrons,
or the heavy labor of the freighted ones, as they ascend from level to
level.

Suddenly our path conducts us past a seated bevy of miners taking their
"crib," as it is termed, from the food-can, which stands at hand,--a
small fire blazing in the midst of them. Weary and sore, we seat
ourselves near them, while our hardier companions talk with the
respectful group.

They work eight hours at a time, they tell us,--ascending at the
expiration of that period to betake themselves to their homes, which are
mostly in the little village where the yelping curs also reside. They
enjoy unusual health, and pity the upper-world of surface-laborers,
whom they regard with a kind of contempt. Accidents are not frequent,
considering the perils of their occupation. The miners here are
generally Cornish-men, with some Germans.

I sit silent, thinking of my Prince Charming, with many vague
conjectures.

At first, these men have paused in their repast in presence of the
strangers; but now, with rude courtesy, noticing our weariness, they
offer a portion to us. Faint and famishing, we by no means disdain it. I
wonder what Mrs. Grundy would say, could her Argus-eyes penetrate to
the spot, where we,--bound to "die of roses in aromatic pain,"--in
miners'-garb, masculine and muddy, sit on stones with earthy delvers,
more than six hundred feet under ground,--where the foot of woman has
never trod before, nor the voice of woman echoed,--and sip, with the
relish of intense thirst, steaming black tea from an old tin cup!

_Eh, bien!_ for all that, let me do it justice. Never was black tea
less herb-like; never draught of sillery, quaffed from goblet of rare
Bohemian glass, more delicious! And so, with thank-yous that were not
only from the lip, we toil on some distance yet, to the shaft by which
we are to ascend,--one quite remote from that by which we began our
trip.

Halting at the foot of the ladder, we pour forth the "Star-spangled
Banner" with the full strength of lungs inflated by patriotism, until
the stirring staves ring and resound through those dim caves. The
miners, who hold the superstition, that to whisper bodes ill-luck, must
have imagined we were exorcising evil spirits with an incantation.

Then begins our weary way upward. We sing "Excelsior" in our hearts, and
forget our aching limbs, for the most laborious portion of the night's
toil is before us. The almost perpendicular ladder is just beside the
powerful pump, which, worked by a steam-engine, exhausts the water from
the mine, and its busy piston, in monotonous measure, keeps time to our
climbing.

Two rests during the entire distance, which we travel in brave silence.
Indeed, we cannot speak,--the oppressive strain upon the chest is so
great. Step after step, hand over hand, up we go. At last, warmer air
greets us, lights flicker from above; the trap-door is reached; we are
on the surface again; we are out of the depths,--and our hearts whisper
a _Te Deum_ of thanksgiving.

I think well of the establishment of a chapel, such as exists at the
entrance to the Valenciana mine in Mexico, where each miner spends half
an hour, going to or returning from his labors. Such a union of work and
worship seems a proper adjunct to the profit and the peril.

There is a faint glimmer of coming dawn far away in the east, as we
go forth into the midsummer-night, and we catch the distant notes of
chanticleer, as he sounds his shrill _reveille_ to the day.

As my confused brain seeks repose, and my weary limbs sink into the
softness of the never-so-welcome bed, my thoughts fly to distant ones,
to whom I would whisper,--as I do to you who have so patiently burrowed
with me,--"Only love me for the dangers I have passed!"

But it is in vain that you long for a similar experience, my dear Laura
Matilda. Being the first, we are also the last women to whom these
subterranean passages will yield their mysteries, their windings, and
their wonders. Against all of my own sex the Pandemonian depths of the
Minnesota Mines are henceforth as obstinately barred as ever were the
golden gates of the Mohammedan Paradise.




A LONELY HOUSE.


"Some weighty crime that Heaven could not pardon,
A secret curse, on that old building hung,
And its deserted garden."

HOOD'S _Haunted House_.

One autumn evening, not very long ago, I was driving out with my uncle.
I had been spending several weeks at his house, and in that time had
driven with him very often, so that I supposed myself familiar with
nearly all the roads that stretched away from the pleasant village where
he resided; but on this occasion he proposed taking me in an entirely
new direction, over a tract of country I had never before seen.

For a mile or two after we left home, we bowled rapidly along on a
well-travelled turnpike; then a sudden turn to the right brought us,
with slackened speed, into a quiet country-road. Passing through the
fields that bordered the highway, we came into a wild, romantic region
of hill and dale that fully deserved all that my uncle had said in its
praise.

Giving ourselves up to the sweet influences of the scene, we trotted our
horses slowly, past dusky bits of forest that made the air fragrant with
the damp smell of the woods, and by occasional shining pools adorned
with floating pond-lilies, and shaded with thick, low bushes of
witch-hazel. The sunlight had that orange glow that comes only on autumn
evenings, the long, slant rays striking across the yellow fields and
lighting up the dark evergreens which dotted the landscape with a tawny
illumination, like dull flames. The locusts hummed drowsily, as if they
were almost asleep, and the frogs in the ponds sent out an occasional
muffled croak. Altogether, it was deliciously calm and deserted; we did
not meet a human being or a habitation for miles, as we wound along
the secluded path, now up and now down, but on the whole gradually
ascending, till we reached the summit of a hill larger and steeper than
the rest.

Here there stood a lonely house.

Pausing to allow our horses a moment's rest, my eye was caught by its
deserted and dilapidated appearance. It had evidently been uninhabited
for years. The fence had gone to decay, the gate lay rotting on the
ground, and a forlorn sleigh, looking strangely out of place in contrast
with the summer-flowers that had over-grown it, was drawn up before the
entrance. The grass had obliterated every trace of the path that once
led to the decayed steps, bushes had grown up thickly around the lower
story of the house, and tangled vines, creeping in through the broken
panes of the windows, hung in festoons from the moss-covered sills.
The door had dropped from its hinges, and on one side of the front the
boards had fallen off, so that I could see quite into the interior,
where I noticed, with surprise, some furniture yet remained, though in
great confusion, a broken chair and an overturned table being the most
prominent objects. Outside, the same disorder was manifest in the great
farm-wagon, left standing where it had last been used, and the neglected
out-buildings fast going to decay. About the whole place there was an
aspect of peculiar gloom, and the house itself stood on this bleak hill
looking out over the lonesome landscape with a sort of tragic melancholy
in its black and weather-beaten front.

Now such a sight as this is very rare in our busy New England, where
everything is turned to advantage, and where the thrifty owner of a
tenement too old for habitation is sure to tear it down and convert the
materials of which it is built to some other use. My curiosity was,
therefore, at once excited regarding this place, and I turned to my
uncle with an inquiry as to its history.

"It is a very sad one," he answered,--"so sad that it gives a terrible
dreariness to this solitary spot."

"Then I am sure you will tell me the causes which led to its desertion.
You know how much I like a story."

My uncle complied with the request, and, as we wended our way home
through the deepening twilight, related a series of strange facts,
which, at the time, took a powerful hold on my imagination, and which I
have since endeavored to group into a continuous narrative.

* * * * *

This house, now so forlorn, was once a neat and happy home. It was built
by a young farmer named James Blount, who went into it with his young
wife when he brought her home from the distant State where he had
married her. For several years they seemed very prosperous and happy;
then a heavy affliction came. The healthy young farmer was thrown from
his horse, and carried to his home only to linger a few terrible hours
and expire in great agony. Thus early in its history was the doomed
house overshadowed with the gloom of sudden and violent death.

Every one was heartily sorry for the widow with her two little boys,
and the people of the country-side did all that they could to cheer
her loneliness and lighten her grief. But, as I have said, she was a
stranger among them, and she seems to have been naturally of a reserved
disposition, preferring solitude in her affliction; for she so repelled
their attentions, that, one by one, even her husband's friends deserted
her. Then, too, her house was three miles from the nearest neighbor, and
this was necessarily a barrier to frequent social intercourse. She very
rarely went into the village, even to church, and thus people came to
know very little of her manner of life; it was only guessed at by those
few acquaintance who, at rare intervals, made their way to the Blount
farm-house.

Among them it was remarked, that the widow, still quite young, was
unnaturally stern and cold, and that her two sons, who were growing up
in this sad isolation, were strangely like their mother, not only in
appearance, but in manners. Their names were James and John. There was
but little over a year between them, and they were so much alike that
most persons found a difficulty in distinguishing one from the other.
Both had fierce, black eyes, short, crisp, black hair, and swarthy
skins,--quite unlike our freckled-face Yankee boys,--so that the older
villagers declared, with a sigh, that there was not a trace of the
good-hearted father about them; they wholly resembled their strange
mother. The boys themselves did nothing to lessen this disagreeable
impression; they were unusually grave and reserved for their years,
taking no interest in the sports of other children; and after a time,
it became painfully evident to those who watched them that they had no
fondness for each other; on the contrary, that affection which would
naturally have sprung from their nearness in age and their constant
companionship seemed to be entirely wanting, and its place usurped by an
absolute dislike.

When this was first discovered, it was supposed to account for the
widow's aversion to society. This idea, being once started, made those
idle busybodies there are in every village eager to discover if the
suspicion were correct. Through the men hired to work on the farm, it
was ascertained that the poor mother, with all her sternness and her
iron law, had difficulty in keeping peace between the boys. Twenty times
a day they would fall into angry dispute about some trifle; and so
violent were these altercations, that it was said that she durst not for
a moment have them both out of her sight, lest one should inflict some
deadly injury upon the other. That this was no ill-founded fear was
evinced by a quarrel that took place between them, when John was perhaps
eleven, and James twelve years old.

It was witnessed by a village lad named Isaac Welles. He was an alert,
active person, who liked to earn a penny or two on his own account, out
of work-hours. With this notable intention, he arose soon after dawn of
a pleasant summer-morning, for the purpose of picking blackberries.
Now he knew that they were very plentiful in a field near the Blount
farmhouse, and, thinking such small theft no robbery, he made his
way thither with all speed, and was soon filling his basket with the
dew-sprinkled fruit. Early as it was, however, he soon discovered that
there was some one up before him. He heard a sound of talking in low,
caressing tones, and, glancing in the direction whence it came, he saw
John Blount sitting under a tree near by, and playing with a little
black squirrel, which appeared to be quite tame. Not caring to be
discovered and warned off, Isaac went on with his work quietly, taking
care to keep where he could see without being seen.

John was not long left alone in his innocent amusement, for in a few
moments James Blount came running down from the house towards him. As he
approached, John's face darkened; he caught up the squirrel, and made an
endeavor to hide it under his jacket.

"No, you don't!" said James, as he came up, breathless. "I see you have
got him, plain enough; he sha'n't get away this time,--so you might as
well give him to me."

"No, I won't!" replied John, sullenly.

"You won't?"

"No!" said John, more fiercely, and then burst out, passionately,--"I
don't see why you want to tease me about it; he a'n't your pet; I have
found him and tamed him; he knows me and loves me, and he don't care for
you; besides, you only want him to torment him. No! you sha'n't have
him!"

"Sha'n't I? we'll see!" And James made a step forward.

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